| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | 8:57 | |
| Silent Conversations | Efraín Amaya, Christopher Pegis, Cheeko Matsusaka | 5:37 | |
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | 7:54 | |
| Pastorale, Op. 50 (Version for Orchestra): III. Evening | Selim Palmgren, Pori Sinfonietta, Jan Söderblom | 3:58 | |
| Concerto for Organ, Strings & Timpani in G Minor, FP 93: I. Andante | Francis Poulenc, Olivier Latry, Philadelphia Orchestra, Christoph Eschenbach | 3:35 | |
| Belvoir Suite: II. Elegy for Isobel | Philip Spratley, Carla Rees, Gavin Sutherland, Royal Ballet Sinfonia | 3:48 | |
| Macbeth: Chorus of Spirits in the Air - Allegro vivace | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | 1:07 | |
| Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | 2:55 | |
| 5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | 3:10 | |
| Serenade für Streicher, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | 9:51 | |
| Constellations, Act II Scene 3: What is it? Jo, are those explosions? | Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson | 2:25 | |
| Copland: Appalachian Spring: XIII. Very Deliberate (1944 Version) | Aaron Copland, Hugh Wolff, Saint Paul Chamber Orchestra | 2:29 | |
| Heavenly Romanticism | Béla Bartók, Klára Würtz, Janáček Philharmonic Orchestra, Theodore Kuchar | 1:02 | |
| Satyagraha: Act I: Tolstoy Farm | Philip Glass, Christopher Keene, New York City Opera Orchestra | 11:00 | |
| Adagio for Strings, Op. 11 | Samuel Barber, Charles Münch, Boston Symphony Orchestra | 7:44 | |
| Coro a bocca chiusa from Madama Butterfly - Voice | Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin Maazel | 3:11 | |
| The Sin | Francesco D'andrea | 2:59 | |
| Trittico botticelliano, P. 151: I. La primavera | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | 6:05 | |
| The Eyes of the White Tower | Howard Shore | 4:33 | |
| My heart’s in the Highlands (Arr. for Voice and Piano by Michael Barnett and Anna Tilbrook) | Traditional, Glen Cunningham, Anna Tilbrook | 1:57 | |
| Exploring Keyhouse | Torin Borrowdale | 1:39 | |
| Több megtekintése Songs Like X Pro-val |
| Aang Becomes the Ocean Spirit | Takeshi Furukawa | 4:15 | |
| Phantasmagorilla? No! Phantasmagoria: Here we are! At the opera | Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer | 1:52 | |
| Finale ultimo | Oklahoma! 1998 National Theatre Cast Recording Company | 2:14 | |
| Passacaglia | Bear McCreary | 5:15 | |
| Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | 7:26 | |
| Aria - Cantilena from Bachiana brasileira No. 5 | Heitor Villa-Lobos, Bidu Sayão, Leonard Rose | 7:01 | |
| Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | 2:18 | |
| リュートのための古代舞曲とアリア 第3番より“シチリアーノ”（レスピーギ） | Takeharu Nobuhara, 大阪テレマン室内管弦楽団 | 3:50 | |
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | 3:45 | |
| Violin Concerto: III. - | Pozzi Escot, David Fulmer, Carnegie Mellon Contemporary Ensemble, Efraín Amaya | 4:33 | |
| Phantasmagorilla? No! Phantasmagoria: How did you find me? | Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer | 1:24 | |
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | 3:30 | |
| Prokofiev: Romeo and Juliet, Op. 64, Act 3, Scene 1: The Last Farewell | Sergei Prokofiev, André Previn, London Symphony Orchestra | 5:35 | |
| String Quartet No. 3 (Mishima): Mishima / Closing | Philip Glass, Kronos Quartet | 3:05 | |
| La mer, L. 109: No. 2, Jeux de vagues | Claude Debussy, Leonard Bernstein, New York Philharmonic | 6:42 | |
| De Deus Tu És Eleita | Diego Adinolfi | 4:15 | |
| Storm I | Peter Samuel, Michael De Vries, Peter Marinos, Paul Jackel, Kay Walbye, Patricia Phillips, Rebecca Judd, The Secret Garden Ensemble | 0:51 | |
| Clepsydra: After a chart of changes (A) | Efraín Amaya, The Point Chamber Orchestra, Douglas Ahlstedt, Jeanne Wentworth | 1:14 | |
| Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | 6:41 | |
| Gold Coast Sunset | Justin Hurwitz | 2:00 | |
| The Rake's Progress / Act I / Scene I: "The Woods Are Green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | 3:28 | |
| Romeo and Juliet, Op. 64 - Act 2: Romeo At Friar Laurence's | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | 3:25 | |
| Concerto Grosso: 2. Burlesca Ostinata | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | 2:37 | |
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | 1:23 | |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | 4:36 | |
| Winnie's Lament | John Debney | 3:06 | |
| Lux aeterna: I. Introitus | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | 7:53 | |
| The Witching Hour | John Williams | 4:40 | |
