| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 2:47 | |
| Bruch: Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | 9:38 | |
| Ma mère l'Oye, M. 60 (Version for Orchestra): IV. The Conversations of Beauty and the Beast (Les entretiens de la belle et de la bete) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | 4:17 | |
| Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | 6:16 | |
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | 3:31 | |
| Giselle: Act II: Adagio | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | 5:52 | |
| Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | 1:49 | |
| Paquita: Polonaise and Mazurka | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | 3:34 | |
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | 7:06 | |
| The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | 1:16 | |
| Giselle: No. 21 - Andante | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | 4:22 | |
| La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | 1:17 | |
| La Bayadere: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | 1:16 | |
| Le Carnaval de Venise, S. 700 | Franz Liszt, Goran Filipec | 5:21 | |
| La Bayadere, Act III: 42. "Entrance - Nikiya; Pas De Deux - Nikiya and Solor" | Evergreen Symphony Orchestra, Kevin Galiè | 4:38 | |
| Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | 3:07 | |
| Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | 2:12 | |
| Coppelia: Act III - La paix (Pas de deux) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | 4:11 | |
| Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | 1:09 | |
| Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | 10:09 | |
| Paquita: Variation 1: Tempo di valse (by Delibes) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | 1:40 | |
Több megtekintése Songs Like X Pro-val |
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | 3:11 | |
| Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | 1:03 | |
| Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | 5:07 | |
| Legende, Op. 17 | Henryk Wieniawski, Miklos Szenthelyi, Budapest Philharmonic Orchestra, György Gyorivanyi-Rath | 8:25 | |
| Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | 2:03 | |
| La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | 0:57 | |
| Chopin: Nocturne No. 16 in E-Flat Major, Op. 55 No. 2 | Frédéric Chopin, David Fray | 5:05 | |
| Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | 2:35 | |
| Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | 7:56 | |
| La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | 1:41 | |
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