| Metropolis: II. Zwischenspiel: Der Tanz | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | 2:17 | |
| Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | 10:49 | |
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | 2:46 | |
| I Know Who You Are | Roque Baños | 3:16 | |
| The Dream | Jocelyn Pook | 4:55 | |
| Communion Dress - Instrumental | Alejandro Amenábar | 1:21 | |
| Carrie Returns Home | Pino Donaggio | 3:39 | |
| The End of Dracula | Philip Glass, Kronos Quartet | 4:06 | |
| Dekalog IV - part 2 | Zbigniew Preisner | 2:29 | |
| Jill Tate | Andrew Hewitt | 1:06 | |
| Funeral of Queen Mary (Main Title from "A Clockwork Orange") | Hollywood Symphony Orchestra | 3:46 | |
| Neverearth | Amer Bespan | 1:26 | |
| Japanese Rhapsody: I. Nocturne | Akira Ifukube, Tokyo Metropolitan Symphony Orchestra, Ryusuke Numajiri | 8:01 | |
| Thème d'amour - From "Alphaville" | Paul Misraki | 1:36 | |
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | 4:45 | |
| House on Sorority Row (Main Title) | Richard Band | 2:46 | |
| Dracula | Philip Glass, Kronos Quartet | 1:15 | |
| Why'd Ya Spill Yer Beans? | Mark Korven | 2:34 | |
| Zmartwychwstanie: II. Stichíra | Krzysztof Penderecki, Andrzej Markowski | 7:13 | |
| High and Low | Masaru Sato | 3:32 | |
| Inferno - Main Title Theme | Keith Emerson | 2:56 | |
| Több megtekintése Songs Like X Pro-val |
| Marauder's Massacre | Brian May | 3:13 | |
| Death and the Maiden: The Confession | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | 4:56 | |
| Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | 8:58 | |
| Music for Marcel Duchamp | John Cage, Philipp Vandre | 5:55 | |
| Rohtko Chapel 1 | Morton Feldman | 9:06 | |
| 1937: Saint Sebastian | Philip Glass, Kronos Quartet, Michael Riesman | 1:07 | |
| Fire Temple | Bobby Krlic | 9:34 | |
| Thème pour cordes - From 'Hasard' | Wojciech Kilar | 1:51 | |
| The Place Where There Is No Darkness | Dominic Muldowny | 3:00 | |
| Welcome to Victorville | Trent Reznor and Atticus Ross | 2:15 | |
| Yojimbo | Masaru Sato | 2:32 | |
| The Dominoes Fall | Dario Marianelli | 5:28 | |
| Le 20 octobre 1942 - Bande originale du film "L'armée des ombres" | Eric Demarsan | 1:39 | |
| Armoured Vehicle | Jóhann Jóhannsson | 1:41 | |
| The Seven Samurai Main Title (From The Seven Samurai) | Fumio Hayasaka | 3:14 | |
| Adulteress' Punishment | Riz Ortolani | 3:24 | |
| Airport (Main Title) | Alfred Newman | 3:15 | |
| Lux Aeterna | György Ligeti, NDR Chor, Helmut Franz | 7:57 | |
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | 3:06 | |
| Tsurumaru's Flute / Azusa Castle in Ruins | Toru Takemitsu | 1:31 | |
| Miller's Crossing End Credits - From "Miller's Crossing" | Dirk Brossé, Brussels Philharmonic | 4:06 | |
| Closer & Closer | David Shire | 3:14 | |
| Doyle's Walk | Terence Blanchard | 2:19 | |
| Muholland Drive: Main Title Theme - From "Muholland Drive" | Angelo Badalamenti | 4:14 | |
| Avery & Graysmith, Toschi & Armstrong | David Shire | 3:29 | |
| Rivolta Nell'Harem: La Cavalcata Delle Walkirie / La Ballerina Pensionata (Ça C'est Paris) / La Conferenza Stampa Del Regista | Nino Rota | 5:22 | |
| Ending Credits | Toru Takemitsu | 3:38 | |
| Blue Velvet: Main Title Theme - From "Blue Velvet" | Angelo Badalamenti | 1:25 | |
