| Rêverie, L. 68 | Claude Debussy, Axel Gillison | 5:35 | |
| En nacelle | Henrique Oswald, Sergio Monteiro | 2:45 | |
| Romances, L. 79: Romance No. 1 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | 2:09 | |
| Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | 2:32 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 7:42 | |
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | 3:04 | |
| Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | 3:47 | |
| Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | 3:09 | |
| 3 Gymnopedies (orch. Debussy): Gymnopedie No. 2 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | 3:41 | |
| Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | 1:33 | |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | 1:51 | |
| 25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | 1:06 | |
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