| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | 7:01 | |
| Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio | Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields | 8:13 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | 2:24 | |
| Kinderszenen | Robert Schumann, Ivan Moravec | 3:06 | |
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | 9:54 | |
| Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | 1:30 | |
| Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | 11:02 | |
| The Moldau (Vlatava), No. 2 | Bedřich Smetana, Leopold Stokowski | 12:21 | |
| Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | 2:09 | |
| 6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | 2:11 | |
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | 7:15 | |
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | 5:40 | |
| Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | 6:11 | |
| Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | 5:25 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | 2:39 | |
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | 2:44 | |
| Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | 3:57 | |
| Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | 4:39 | |
| Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | 1:38 | |
Több megtekintése Songs Like X Pro-val |
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | 5:53 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | 1:46 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | 7:42 | |
| Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | 2:54 | |
| Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | 1:03 | |
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | 3:03 | |