| Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | 2:00 | |
| Sommerruh (Summer Calm), WoO 7 (arr. J. Lloyd Webber for 2 cellos and piano) | Robert Schumann, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | 3:19 | |
| The Sound of Spirit | Los Angeles Master Chorale | 3:02 | |
| Aria in Classic Style, Op. 19 | Marcel Grandjany, Hae Joo Hahn, Sang-Eil Shin | 6:00 | |
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina (Version for Cello and Piano) | Carl Orff, Julian Lloyd Webber/John Lenehan | 3:36 | |
| Game of the Antichrist: Prologue | Robert Moran, Ensemble Chrismos, Roman Sladek, Mathias Kamleiter, Sarah Cocco, Alexander Hermann | 1:59 | |
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | 2:10 | |
| Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | 2:42 | |
| Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | 2:20 | |
| I Am the True Vine | Arvo Pärt, Pro Arte Singers, Theatre Of Voices, Paul Hillier | 8:15 | |
| Montero & Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Gabriela Montero | 5:09 | |
| Spring Sorrow (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | 3:48 | |
| Game of the Antichrist: Sanguine Patrie | Robert Moran, Stefan Görgner, Sarah Cocco, Misha Ognianer, Leander Kaiser, Andreas Gotz, Alexander Hermann | 3:42 | |
| 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | 1:50 | |
| Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | 4:53 | |
| Requiem, Op.48: Pie Jesu | Gabriel Fauré, London Musici, Richard Marlow, Camilla Otaki | 3:50 | |
| To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | 2:26 | |
| In Paradisum | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | 4:06 | |
| Truth Tones | Trinity Youth Chorus, Novus NY, Julian Wachner | 3:56 | |
| Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | 3:32 | |
| Bassoon Concerto in A Minor, RV 498: II. Larghetto | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | 4:46 | |
| Több megtekintése Songs Like X Pro-val |
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | 3:49 | |
| Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, BBC National Orchestra Of Wales, Andrew Constantine | 4:18 | |
| Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi | 9:37 | |
| Missa pro defunctis (1650): III. Symphonia | Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe | 2:20 | |
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | 3:46 | |
| All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | 3:24 | |
| Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | 5:03 | |
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | 1:40 | |
| Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | 3:58 | |
| Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | 2:36 | |
| Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | 4:29 | |
| Suite Bergamasque, L. 75 (Transcribed for Harp): III. Clair de lune | Claude Debussy, Xavier De Maistre | 5:06 | |
| Concord | Benjamin Britten, Matthew Barley | 2:26 | |
| Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | 4:40 | |
| Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) | George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom | 2:29 | |
| Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | 6:25 | |
| Gottes Zeit ist die allerbeste Zeit, BWV 106: I. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) | Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir | 2:09 | |
| 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | 1:36 | |
| A Lion´s Sleep | Ivan Moody, Trio Mediæval | 9:36 | |
| Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | 2:49 | |
| Winter 2 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | 2:51 | |
| Ten Miles High over Albania: Part III | Robert Moran, Mario Falcao | 5:24 | |
| Handel: Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | 3:53 | |
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | 4:19 | |
| Ten Miles High over Albania: Part II | Robert Moran, Mario Falcao | 8:34 | |
| Vocalise, Op. 34, No. 14, Lentamente cantabile - Transcr. for cello and piano by Rachmaninov | Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell | 5:22 | |
| Calme des nuits, Op. 68, No. 1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | 4:13 | |
| Three Dances: Lithuanian Spin | Robert Moran, Piano Circus | 5:41 | |
