| Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | 5:03 | |
| Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | 3:42 | |
| Fantasiestücke, Op. 12: II. Der Tag bricht an | Johan Amberg, Trio Eiger | 4:46 | |
| Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | 9:39 | |
| Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Michael Tilson Thomas, New York Philharmonic | 6:55 | |
| 5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | 1:39 | |
| Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, János Starker, Philharmonia Orchestra, Walter Susskind | 10:35 | |
| Segunda visión | Juan Pablo Fernández Ramos | 2:57 | |
| Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | 8:47 | |
| Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | 4:48 | |
| Shostakovich: Piano Quintet in G Minor, Op. 57: I. Prelude. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Mischa Maisky, Renaud Capuçon, Alissa Margulis, Lyda Chen | 4:25 | |
| Songs Without Words, Book 7, Op. 85: No. 1 in F Major, MWV U 150 (Arr. for Cello & Piano by Alfredo Piatti) | Felix Mendelssohn, Jonathan Miller, Marc Ryser | 2:13 | |
| Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | 3:44 | |
| Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | 4:49 | |
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | 2:56 | |
| Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | 1:42 | |
| Raymonda, Act III: Variation Prestissimo | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | 1:13 | |
| Canção De Maio | Luiz Costa, Fernando Costa, Luis Costa | 1:47 | |
| Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | 1:51 | |
| Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | 6:07 | |
| Path at Sunrise, Masses of Flowers | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | 8:04 | |
| Több megtekintése Songs Like X Pro-val |
| Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": III. Scherzo. Ziemlich schnell (1877 Version) | Anton Bruckner, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | 6:52 | |
| Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major, TrV 291: I. Allegro con brio | Georg Goltermann, Jamal Aliyev, Gregori Witt, Howard Griffiths | 8:27 | |
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | 7:15 | |
| Carmina | True LUFS Project | 1:51 | |
| Fauré: Èlègie Op.24 | János Starker | 6:44 | |
| Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | 2:09 | |
| Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | 8:21 | |
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | 4:51 | |
| Pelléas et Mélisande, Op. 80: I. Prélude. Quasi adagio | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | 5:47 | |
| 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | 2:17 | |
| Swan Lake, Op. 20: Variation V: Moderato; Allegro simplice | Pyotr Ilyich Tchaikovsky, Michael Tilson Thomas, London Symphony Orchestra | 1:22 | |
| Proving the Existence of Folkloric Creatures | Milo Paulus | 3:17 | |
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | 3:56 | |
| Fauré: Impromptu No. 3 in A-Flat Major, Op. 34 | Gabriel Fauré, Jean Hubeau | 4:21 | |
| 25 Études faciles et progressives, Op. 100: No. 12, Adieu | Friedrich Burgmüller, The Gerst Ensemble | 1:25 | |
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | 4:01 | |
| Fugue in D minor (Strings) | Ernesto Chew | 2:28 | |
| Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | 4:02 | |
| Piano Concerto in B Minor, Op. 3: I. Allegro | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | 10:50 | |
| Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Cincinnati Pops Orchestra, Erich Kunzel | 4:16 | |
| Piano Concerto No. 21 in C Major, K. 467: II. Andante - Excerpt - Var. I | Wolfgang Amadeus Mozart, Géza Anda, Camerata Salzburg | 1:38 | |
| Namouna, Suite No. 2: 5. Danse des esclaves | Édouard Lalo, Royal Philharmonic Orchestra, Yondani Butt | 1:44 | |
| タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | 5:50 | |
| 管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア) | Johann Sebastian Bach, ソフィア交響楽団 | 5:31 | |
| Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) | Franz Liszt, Isata Kanneh-Mason | 3:58 | |
| Otello, Act IV: "Ave Maria" - Final Scene (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | 5:25 | |
| Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | 9:08 | |
| The Four Temperaments for Piano and String Orchestra: Thema. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | 6:06 | |
