| Glitter And Be Gay | Leonard Bernstein, Richard Wilbur, Dawn Upshaw | 5:41 | |
| Verdi: Aida, Act 1: "Celeste Aida" (Radamès) | Giuseppe Verdi, Antonio Pappano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | 3:46 | |
| Blue Tango | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | 2:43 | |
| La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | 5:51 | |
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | 5:36 | |
| Ave maria caccini - Live 2016 | Wendy Kokkelkoren | 4:03 | |
| Bis Du Bei Mir | Natalie Choquette | 2:07 | |
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | 6:15 | |
| Serenade (From "The Student Prince") | Jonas Kaufmann | 3:18 | |
| Ut mot havet (Out to Sea): Out Towards the Sea | Edvard Fliflet Bræin, Iceland Symphony Orchestra, Bjarte Engeset | 3:11 | |
| Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | 3:45 | |
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | 4:24 | |
| Nabucco, Part III, Chorus of Hebrew Slaves: Speed your journey | Giuseppe Verdi, David Parry, The Orchestra Of Opera North, Opera North Chorus | 4:40 | |
| Where Do I Begin? (From "Love Story") | Jonas Kaufmann | 3:58 | |
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: Air. "Mon cœur s'ouvre à ta voix" (Transcr. for Trumpet and Orchestra) | Camille Saint-Saëns, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | 5:46 | |
| Parla più piano | Nino Rota, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch, Palermo Teatro Massimo Orchestra | 3:11 | |
| Piano Parchment - 60 Second Edit (A) | Johnny Pearson | 1:04 | |
| L'Amore è un Attimo | Jay Dref, Angelica Volpi | 3:57 | |
| In Trutina from Carmina Burana - Voice | Carl Orff, Barbra Streisand, Claus Ogerman | 2:11 | |
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | 2:42 | |
| The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | 1:05 | |
| Több megtekintése Songs Like X Pro-val |
| Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann) | Jacques Offenbach, Fatma Said, Marianne Crebassa, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | 3:58 | |
| Ah l'amuri | Alessandro Safina | 4:36 | |
| What A Wonderful World (From "Good Morning, Vietnam") | Jonas Kaufmann | 3:06 | |
| Always | Kiri Te Kanawa, Jonathan Tunick | 4:27 | |
| Maigret (Granada TV) | Nigel Hess, The London Film Orchestra, Olive Simpson | 2:52 | |
| Per Sempre | Rhydian | 3:52 | |
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | 2:55 | |
| Pure Imagination (From "Willy Wonka and the Chocolate Factory") | Marie Oppert, Orchestre National de Lille, Nicholas Skilbeck | 4:12 | |
| She Was Beautiful - Cavatina (From "The Deer Hunter") | Jonas Kaufmann, Miloš Karadaglić | 3:44 | |
| Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | 2:44 | |
| Voglio vivere così | Giovanni D'Anzi, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | 2:30 | |
| Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | 2:52 | |
| The Pearl Fishers Duet - Remastered, Radio Edit | Rhydian | 3:54 | |
| Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | 3:42 | |
| Ich küsse ihre Hand, Madame (Main Title) | Jonas Kaufmann | 2:27 | |
| Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | 2:11 | |
| Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | 2:28 | |
| Sonata No. 3: 2. Canción. Andante | Manuel Ponce, Miloš Karadaglić | 4:09 | |
| Midnight In Moscow | Vasily Solovyov-Sedoi, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov | 2:15 | |
| Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | 1:52 | |
| Here Comes The Sun | Miloš Karadaglić | 3:02 | |
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | 4:54 | |
| Yet, Here I Am: III. Reflection | Karl Jenkins, Lucy Crowe, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | 1:35 | |
| Swing Low | All Angels, Daisy Chute, Melanie Nakhla, Charlotte Ritchie, Laura Wright | 1:27 | |
| Suite española, Op. 47 - edited by Michael Lewin: No. 1 Granada | Isaac Albéniz, Miloš Karadaglić | 5:53 | |
| Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 2:52 | |
| A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | 2:55 | |
| Maidan 2014 / Cycle IV: III. Prayer for Ukraine | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | 3:49 | |
