| Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | 6:29 | |
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | 2:07 | |
| Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | 2:11 | |
| Die Csardasfurstin (The Gypsy Princess), Act II: Duet: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Putz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | 2:40 | |
| Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | 8:53 | |
| 'Coro Di Zingari' Uit Il Trovatore | Mastreechter Staar | 3:01 | |
| Annchen von Tharau | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | 2:26 | |
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | 2:55 | |
| Elgar: Land of Hope and Glory | Edward Elgar, Last Night Of The Proms - The 100th Season, BBC Symphony Chorus, Andrew Davis, BBC Symphony Orchestra | 6:22 | |
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | 2:31 | |
| Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | 6:03 | |
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