| Le Corsaire: Pas de Trois - Adagio | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | 3:35 | |
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | 8:03 | |
| Carmen Ballet: Dance | Arthur Fiedler | 2:09 | |
| Cipollino, Act II Scene 3: Scene with Flowers | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | 1:50 | |
| Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | 5:33 | |
| Fantasía Morisca: Serenata (Allegro Moderato) (Chapí) | Orquesta "Ciudad de Granada" & Juan de Udaeta | 3:32 | |
| Coppelia: Act II - Bolero | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | 1:30 | |
| Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | 1:00 | |
| Don Quixote, Act 3: Coda (Arr. John Lanchbery) | John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria | 1:20 | |
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | 3:10 | |
| Giselle, Peasant pas de deux, Act I: Allegretto: Women's Variation (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | 0:43 | |
| Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato - | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | 10:22 | |
| Grand Pas Classique: Coda | Daniel Auber, Tasmanian Symphony Orchestra, Nicolette Fraillon | 1:43 | |
| Dance Of The Cygnets | Westminster Concert Orchestra | 1:33 | |
| Le Corsaire, Pas de deux: II. Allegro: Tempo di Valse. Men's Variation (Arr. J. Lanchberry) | Riccardo Drigo, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | 1:06 | |
| Swan Lake Pas de Trois Female Variation | Bruno Lawrence Raco | 1:42 | |
| Don Quixote, Act II: Gypsy Dance II | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | 3:42 | |
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | 5:04 | |
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | 1:58 | |
| III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | 3:41 | |
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | 7:48 | |
| Több megtekintése Songs Like X Pro-val |
| Giselle, Peasant pas de deux, Act I: Allegretto: Adagio (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | 3:01 | |
| La bayadère: Variation 2: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | 1:20 | |
| Sleeping Beauty/Aurora Variation(Act.3) | Kim Ji Hyun | 2:07 | |
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | 2:13 | |
| Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | 0:59 | |
| The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | 5:04 | |
| Suite from Alice's Adventures in Wonderland: Setting Up the Courtroom | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | 2:46 | |
| Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | 2:11 | |
| Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | 1:10 | |
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | 6:50 | |
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 2:01 | |