| Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | 2:09 | |
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | 2:42 | |
| Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | 3:07 | |
| Concerto for Viola and Strings: II. Passionate and nostalgic | Dobrinka Tabakova, Hallé, Delyana Lazarova, Maxim Rysanov | 6:30 | |
| Concerto for Euphonium and Orchestra: I. The Juggler. With a sense of fun | Karl Jenkins, Bramwell Tovey, BBC National Orchestra Of Wales, David Childs | 5:59 | |
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | 3:34 | |
| Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | 5:04 | |
| Mahler: Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen | Gustav Mahler, Sir John Barbirolli, Dame Janet Baker, Hallé | 5:08 | |
| Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | 7:58 | |
| Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | 7:34 | |
| Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | 6:15 | |
| Suite in D Major: IV. The Prince of Denmark's March "Trumpet Voluntary" | Jeremiah Clarke, Edward Carroll, Richard Kapp, Philharmonia Virtuosi, New York Philharmonia Virtuosi | 2:05 | |
| Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | 1:15 | |
| パニス・アンジェリクス | セザール フランク, レックス・サウンド・オーケストラ | 3:34 | |
| Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | 2:19 | |
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | 7:10 | |
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