| Carmen Variations | Vladimir Horowitz | 3:33 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | 7:42 | |
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | 4:23 | |
| Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | 4:25 | |
| Improvisationen, Op. 18: Andantino | Max Reger, Markus Pawlik | 4:13 | |
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | 8:08 | |
| Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | 7:56 | |
| An Irish Symphony*: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | 7:18 | |
| Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | 4:35 | |
| Romance oubliée, S. 527: Romance oubliée, S. 132/R. 467a | Franz Liszt, Nobuko Imai, Roland Pöntinen | 4:49 | |
| Bilder einer Ausstellung: I. ll vecchio castello | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | 4:23 | |
| Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | 4:42 | |
| Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | 3:26 | |
| Romanze in G Major (arr. for clarinet and piano): Romance in G Major | Max Reger, Ib Hausmann, Nina Tichman | 2:20 | |
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | 9:48 | |
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | 5:55 | |
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | 9:30 | |
| Printemps, L. 61: II. Modéré | Claude Debussy, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | 6:00 | |
| Viola Concerto (1962 Version): II. Vivo, con molto preciso | William Walton, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | 4:36 | |
| Festive Overture, Op. 96 | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | 6:04 | |
| Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | 2:20 | |
Több megtekintése Songs Like X Pro-val |
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | 8:26 | |
| Wir glauben an einen Gott | Max Reger, VOCES8 | 1:34 | |
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | 3:09 | |
| Symphony No. 9 in E-Flat Major, Op. 70: III. Presto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | 2:43 | |
| 3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | 6:17 | |
| Vier ernste Gesänge: Denn es gehet dem Menschen wie dem Vieh, Op. 121/1 | Johannes Brahms, Max Reger, Igor Levit | 4:48 | |
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | 1:51 | |
| Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | 1:22 | |