| Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | 5:08 | |
| Fauré / Orch. Ducros: Pavane, Op. 50 | Gabriel Fauré, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | 6:21 | |
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | 6:23 | |
| Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | 3:12 | |
| Swan Lake, Op. 20 | Tim Fain, Robert Koenig | 5:26 | |
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | 8:22 | |
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Arr. for Trumpet and Orchestra) | Maurice Ravel, Alison Balsom, Timothy Redmond, Guy Barker Orchestra | 8:25 | |
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | 5:57 | |
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | 6:49 | |
| String Quintet in E Major, Op. 11, No. 5 (G. 275): III. Minuetto | Donald Sosin, Luigi Boccherini, Nora Shulman, Judy Loman | 2:53 | |
| Sonata in D Major, K 491 | Domenico Scarlatti, Murray Perahia | 5:25 | |
| Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra) | Paul Vidal, Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard | 3:25 | |
| Thais, Act II: Meditation | Jules Massenet, Anne Akiko Meyers, Philharmonia Orchestra, Andrew Litton | 5:25 | |
| Williams: Main Theme (From "Schindler's List") | Tasmin Little | 5:06 | |
| Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | 4:21 | |
| The Seal Lullaby | Eric Whitacre, Amy Dickson | 3:09 | |
| Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | 3:21 | |
| Requiem, Op. 48: In paradisum | Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter | 3:51 | |
| The Yellow Cake Revue: Farewell to Stromness | Peter Maxwell Davies | 5:36 | |
| Le onde | Lavinia Meijer | 4:13 | |
| Truth, And Then There Were Teardrops | Amy Dickson | 3:40 | |
| Több megtekintése Songs Like X Pro-val |
| Romance (Arr. J. Williams for Guitar & Orchestra) | Traditional, John C. Williams, William Goodchild, String Orchestra | 3:21 | |
| Nonino | Chris Walden | 3:02 | |
| Má vlast: The Moldau | Bedřich Smetana, Xavier De Maistre | 10:08 | |
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Version for Trumpet & Orchestra) | Gabriel Fauré, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | 3:12 | |
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | 3:08 | |
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | 3:29 | |
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, Havana Lyceum Orchestra, José Antonio Méndez Padrón | 7:05 | |
| Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | 7:34 | |
| Orpheo ed Euridice, Wq 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | 3:33 | |
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | 9:59 | |
| Franck / Arr. Kenner: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Kyung Wha Chung | 4:22 | |
| Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | 4:21 | |
| Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Gabriel Fauré, Amy Dickson, Chris Walden, London Session Orchestra | 7:08 | |
| Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | 5:00 | |
| Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff) | George Frideric Handel, Anne Queffélec | 4:35 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | 4:25 | |
| String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | 8:30 | |
| Movement 2 - The Love | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | 8:12 | |
| Canon and Gigue in D Major, P. 37 | Johann Pachelbel, Academy of Ancient Music, Christopher Hogwood | 5:14 | |
| Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | 5:29 | |
| Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | 3:25 | |
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | 5:10 | |
| Mother's Pride | The Ayoub Sisters | 3:30 | |
| Ellens Gesang III ("Ave Maria"), Op. 52, No. 6, D. 839 | Caffee Concerto | 5:26 | |
| Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | 5:30 | |
| Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | 2:59 | |
| Balcony Scene - From "Romeo & Juliet" | Marius de Vries, Paul Hooper, Craig Armstrong, Tim Atack, Desiree Annette Weekes, Czech National Symphony Orchestra, Paul Bateman | 5:20 | |
