| Il barbiere di Siviglia: Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra, Metropolitan Opera Chorus | 3:52 | |
| Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): VIII. Chorale: Nun danket alle Gott (Chorus) | Felix Mendelssohn, Ruth Ziesak, Mojca Erdmann, Christian Elsner, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | 4:09 | |
| Verdi: Messa da Requiem: XXI. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | 6:23 | |
| Mignon, Acte III, scène 5: "Elle ne croyait pas, dans sa candeur naïve" | Ambroise Thomas, Jonas Kaufmann, Bertrand de Billy | 4:16 | |
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | 7:20 | |
| Ein blonder Traum: "Irgendwo auf der Welt" | Werner R. Heymann, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | 2:55 | |
| Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | 6:29 | |
| Palestrina, Act III: Wie lange sie bleiben | Hans Pfitzner, Otmar Suitner, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Peter Schreier, Carola Nossek | 8:56 | |
| Lippen schweigen (From "Die lustige Witwe") | Franz Lehár, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | 3:32 | |
| Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | 6:50 | |
| Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | 9:43 | |
| Das Land des Lächelns: "Dein ist mein ganzes Herz!" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | 3:39 | |
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 6:26 | |
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | 2:31 | |
| Wagner: Der fliegende Holländer, WWV 63, Act 2: "Johohoe! Traft ihr das Schiff im Meere an" (Senta, Chorus) - Live | Richard Wagner, Royal Concertgebouw Orchestra, Anja Kampe, Andris Nelsons | 6:59 | |
| Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | 4:48 | |
| Sibelius: 5 Songs, Op. 38: No. 1, Höstkväll (Orchestral Version) | Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra | 5:14 | |
| Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | 2:47 | |
| Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | 4:38 | |
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | 3:11 | |
| Dixit Dominus Domino meo | George Frideric Handel, The Scholars Baroque Ensemble | 5:34 | |
| Több megtekintése Songs Like X Pro-val |
| Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | 4:48 | |
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | 4:24 | |
| Als die alte Mutter, Op. 55, No. 4 | Antonín Dvořák, Jonas Kaufmann, Helmut Deutsch | 2:08 | |
| 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Jonas Kaufmann, Helmut Deutsch | 3:24 | |
| Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | 8:53 | |
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | 3:04 | |
| Die Zauberflöte, K. 620, Act II: No. 21, Finale: f-g. Papagena! Weibchen! Täubchen! - Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | 7:25 | |
| Turandot / Act 3: "Che è mai di me?" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Wandsworth School Boys Choir, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | 2:45 | |
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | 1:48 | |
| Adriana Lecouvreur / Act I: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 3:42 | |
| Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | 5:55 | |
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | 4:06 | |
| Carmina Burana / I. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | 2:39 | |
| Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | 4:36 | |
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | 10:26 | |
| Pelléas et Mélisande, CD 93, Act III: Mes longs cheveux descendent | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | 5:59 | |
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | 3:41 | |
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | 3:45 | |
| Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | 2:33 | |
| La favorita / Act 4: "Spirto gentil, de' sogni miei" | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 3:27 | |
| Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | 6:14 | |
| Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | 9:49 | |
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:21 | |
| A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | 2:55 | |
| Eugene Onegin, Op. 24, TH 5 / Act III: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | 4:50 | |
| Die Fledermaus, Act I: No. 1a, Introduction. Täubchen, das entflattert ist | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | 3:14 | |
| Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | 2:43 | |
| Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | 5:57 | |
