| Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | 7:42 | |
| Bangalter: Mythologies: VII. Treize Nuits | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | 6:18 | |
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | 4:08 | |
| Calming Adagio | Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai | 2:53 | |
| Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | 6:41 | |
| Highwaymen sonatine: II. Adagio | Oldřich Flosman, Marek Švejkar, Lenka Korecká | 2:48 | |
| And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | 5:45 | |
| Adagio for Strings, Op. 11 | Samuel Barber, Charles Münch, Boston Symphony Orchestra | 7:44 | |
| Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | 5:45 | |
| ハリー・ポッターと賢者の石~子供のための管弦楽組曲 ヘドウィグの飛行 | John Williams, Tokyo Symphony Orchestra | 2:17 | |
| Vodní hry: III. Presto | Oldřich Flosman, Ales Barta | 3:58 | |
| Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | 1:42 | |
| Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Paysan et l'ours (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | 1:12 | |
| Floating Office | Jerry Goldsmith | 1:08 | |
| Cello Concerto No. 2, W516: II. Molto andante cantabile | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | 7:04 | |
| El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | 2:15 | |
| Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | 1:59 | |
| Sonata for Violin, Cello and Piano: II. Allegretto | Oldřich Flosman, The New Prague Trio | 3:30 | |
| Summer Music | Arnold Bax, Bryden Thomson, Ulster Orchestra | 9:52 | |
| tema principale: orchestra dedicata ai maestri | Shiro Sagisu | 4:58 | |
| Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | 3:48 | |
Több megtekintése Songs Like X Pro-val |
| Kaonashi (No Face) | Joe Hisaishi | 3:47 | |
| Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | 5:14 | |
| Concerto for Violin and Orchestra No. 2: III. Larghetto - Allegro | Oldřich Flosman, Czech Radio Symphony Orchestra, Milos Konvalinka, André Gertler | 9:48 | |
| Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | 6:00 | |
| Symphony No. 5, Op. 107, "Reformation": III. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | 3:35 | |
| Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | 7:33 | |
| Metropolis: I. Auftakt: Rotwang und Fredersen | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | 1:15 | |
| Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | 2:33 | |
| Symphony No. 1: III. Adagio | Oldřich Flosman, Prague Symphony Orchestra, Jindrich Rohan, Miroslav Laštovka | 9:35 | |
| La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | 1:31 | |
| Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | 1:04 | |
| Mvt. 3. Song: Dear Jesus, what have you DONE?! Maslanka Concerto for Alto Saxophone and Wind Ensemble | David Maslanka, Otis Murphy, Ray Cramer | 7:36 | |
| Symphonic Narrative: I. Andante | Oldřich Flosman, Prague Symphony Orchestra, Petr Altrichter | 4:00 | |
| La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | 10:00 | |
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | 3:27 | |
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | 2:09 | |
| Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | 3:24 | |
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | 6:11 | |
| Death Dogs | James Horner | 2:28 | |
| The End | Danny Elfman | 4:45 | |
| Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | 3:11 | |
| Love's Labour's Lost, Op. 28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | 1:16 | |
| Collage: Pt.2 | James Horner, London Philharmonic Orchestra, Jaime Martin | 4:02 | |
| The Miracle of the Ark | John Williams, London Symphony Orchestra | 6:05 | |
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