| Moving In | George Fenton | 1:36 | |
| Precedent | Howard Shore | 4:04 | |
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | 2:30 | |
| La notte di San Lorenzo | Nicola Piovani | 8:39 | |
| The Grand Ball | Jan A.P. Kaczmarek | 2:22 | |
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | 3:40 | |
| Les saisons | Christophe Julien | 3:11 | |
| Sabeth | Stanley Myers | 1:39 | |
| Sunlit Kiss | Rael Jones, Anthony Weeden | 3:41 | |
| Why Does Someone Have to Die? | Philip Glass | 3:56 | |
| Knotted | James Newton Howard, James Ehnes, Andrew Armstrong | 3:39 | |
| La vita è bella: Grande Hotel Valse | Nicola Piovani, Claudio Ballabio | 1:59 | |
| Blue Atlantic Mystery | Gabriel Yared | 1:57 | |
| Cenerentola - Main Title | Andrea Guerra | 0:56 | |
| Gino et Lucy - From Deux hommes dans la ville | Philippe Sarde | 2:06 | |
| Live and Let Die Suite: II. Bond Meets Solitaire | George Martin, Berlin Music Ensemble, Craig Leon | 2:09 | |
| City Lights: The Flower Girl (La Violetera) (after J. Padilla) | Charlie Chaplin, The City Lights Orchestra, Carl Davis | 3:03 | |
| Gino et Sophie - From Deux hommes dans la ville | Philippe Sarde | 2:48 | |
| Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | 1:03 | |
| Morning | Andrew Lockington | 1:22 | |
| Intermezzo in C Minor - "Money Wins" | Nicholas Britell | 1:47 | |
| Több megtekintése Songs Like X Pro-val |
| The House of the Spirits | Hans Zimmer | 10:06 | |
| Invictus Theme | Kyle Eastwood, Michael Stevens | 4:09 | |
| Handel: Berenice, regina d'Egitto, HWV 38: Andante larghetto | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | 3:51 | |
| Miss Jackson | Guy Farley | 2:15 | |
| La lettre de Frantz | Philippe Rombi | 3:02 | |
| Wuthering Heights - Cathy's Theme - From "Wuthering Heights" | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | 3:32 | |
| Lost And Found | Michael Nyman | 2:27 | |
| Thème de Gerbier - Bande originale du film "L'armée des ombres" | Eric Demarsan | 3:15 | |
| Daydreams | Abel Korzeniowski | 2:16 | |
| Pick Up Money | Clint Eastwood | 0:57 | |
| Ask Your Saint Who He's Killed | Academy of St. Martin in the Fields, Gabriel Yared | 1:09 | |
| A Very Long Engagement (Une Long Dimanche De Fiancailles): Suite From A Very Long Engagement - From "A Very Long Engagement" | Angelo Badalamenti | 4:31 | |
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | 2:24 | |
| Postino Bambino | Luis Bacalov | 0:52 | |
| The Scent Of Love | Michael Nyman | 4:18 | |
| Main Title | Clint Eastwood | 1:57 | |
| Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | 1:36 | |
| Habanera | Richard Robbins, Richard Robbins And Orchestra, Orchestra | 2:08 | |
| Oboe Concerto in D Minor, BWV 1059R: II. Siciliano | Johann Sebastian Bach, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | 3:11 | |
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | 2:10 | |
| Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | 7:05 | |
| Variations sur "Jeux interdits" | Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito | 4:17 | |
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | 2:00 | |
| Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | 13:00 | |
| Anna Regina | Debbie Wiseman | 4:17 | |
| Hana's Curse | Academy of St. Martin in the Fields, Gabriel Yared | 2:11 | |
| La Sainte-Chapelle (Orch. Dannheisser) - From "The White Crow" Soundtrack | Ilan Eshkeri, Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | 2:16 | |
| Dragon Heaven | Mark McKenzie | 1:21 | |
