| The Anchors Weighed | John Braham, Royal Philharmonic Orchestra | 3:16 | |
| El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | 3:34 | |
| Beecham & Handel: The Gods Go a'Begging: II. First Dance (After Teseo, HWV 9) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | 1:57 | |
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | 5:07 | |
| Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 10:20 | |
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley | 8:00 | |
| Massenet: Élégie (Arr. for Cello and Piano) | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | 1:44 | |
| Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | 3:25 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 9:53 | |
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | 7:42 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | 7:42 | |
| Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | 9:48 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | 5:07 | |
| Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | 4:03 | |
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | 2:16 | |
| La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | 1:31 | |
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiřà Bělohlávek | 6:35 | |
| Polka Helene | Alexander Borodin, Alexander Sandler, Peter Laul | 2:22 | |
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 3:37 | |
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| Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | 1:08 | |
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | 6:25 | |
| Piano Quintet C Minor: Scherzo - Allegro non troppo | Alexander Borodin, The St. Petersburg Chamber Players | 5:47 | |
| Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | 2:54 | |
| Ein Musikalischer Spass, "A Musical Joke", K. 522: IV. Presto | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | 4:09 | |
| Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | 1:26 | |
| Piano Concerto No. 2 in F Minor, Op. 21, B. 43: II. Larghetto (Live) | Frédéric Chopin, Vladimir Ashkenazy, St. Petersburg Academic Symphony Orchestra, Arvīds Jansons | 8:49 | |
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 8:05 | |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Eine Steppenskizze aus Mittelasien: Allegretto con moto | Alexander Borodin, Gothenburg Symphony Orchestra, Neeme Järvi | 7:27 | |
| Mazurka in G Minor, Op. 67 No. 2 | Frédéric Chopin, Vladimir Ashkenazy | 1:55 | |
| Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | 3:17 | |
| The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | 4:39 | |
| Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | 2:33 | |
| H.M.S. Pinafore / Act 2: Never mind the why and wherefore | Arthur Sullivan, Thomas Lawlor, John Reed, Valerie Masterson, Royal Philharmonic Orchestra, James Walker | 2:28 | |
| Nocturne No. 3 In B, Op. 9 No. 3 | Frédéric Chopin, Maurizio Pollini | 5:40 | |
| Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick NĂ©zet-SĂ©guin | 9:32 | |
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | 7:14 | |
| Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | 4:32 | |
| Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | 3:19 | |
| Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | 10:44 | |
| Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | 4:22 | |
| Pictures At An Exhibition: Promenade - II | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | 1:07 | |
| Stravaganza: 2. Dreams & Drones | Karl Jenkins, Jess Gillam, Royal Philharmonic Orchestra | 5:40 | |
| Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | 1:02 | |
| Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": II. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick NĂ©zet-SĂ©guin | 4:13 | |
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 2:35 | |
| Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | 3:56 | |
