| Brideshead Revisited Variations: Theme | Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier | 2:01 | |
| Main Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 1:56 | |
| Evening Hymn, Last Post and Sunset - Including Lead Kindly Light | The Central Band Of The Royal Air Force Conducted by Wing Commander H.B Hingly MBE, Wing Commander H.B Hingly MBE | 3:52 | |
| Puffin' Billy | Edward White, RTE Concert Orchestra, Ernest Tomlinson | 3:08 | |
| Beachcomber | Clive Richardson, RTE Concert Orchestra, Ernest Tomlinson | 2:41 | |
| Rookie in the Ranks | Harry Rabinowitz | 2:34 | |
| The Wind in the Willows Theme Song (Feat. Ralph McTell) | Keith Hopwood, Malcolm Rowe, Ralph McTell | 2:41 | |
| Jack-Knife (Remastered) | Harry Rabinowitz, Harold Ernest Fisher, David Henry Richmond, Martin John Kershaw | 2:24 | |
| Ah! Sweet Mystery Of Life (From "Naughty Marietta") | Victor Herbert, Rida Johnson Young, Jeanette MacDonald, Robert Russell Bennett | 2:51 | |
| Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | 4:39 | |
| End Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 3:53 | |
| The Dance Sequence | Original Soundtrack | 4:55 | |
| C'est moi - Lancelot | Frances Nero, Lee Herschberg | 4:02 | |
| Who Can I Turn To (When Nobody Needs Me) | Anthony Newley | 3:51 | |
| Tomorrowland (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 2:18 | |
| Yankee Doodle Dandy | James Cagney | 5:19 | |
| Brush Up Your Shakespeare | Broadway Cast Recording | 4:51 | |
| There Is Nothing Like A Dame | South Pacific 1988 London Cast Recording Male Ensemble | 3:39 | |
| The Deadwood Stage (Whip-Crack-Away!) | Doris Day | 3:13 | |
| Duo Brillant on Rossini's Guillaume Tell | Jules Demersseman, Felix-Charles Berthelemy, Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | 10:30 | |
| Brideshead Revisited Theme | Geoffrey Burgon | 2:07 | |
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| All Creatures Great and Small | Johnny Pearson | 2:05 | |
| Hetty Wainthropp Investigates (BBC) | Nigel Hess, The London Film Orchestra, Phillip McCann | 2:47 | |
| You and I | Arthur Freed, Denny Markass | 2:33 | |
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | 4:17 | |
| Annie: Overture | Charles Strouse, Annie Orchestra, Peter Howard | 3:21 | |
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | 2:41 | |
| The Horn's Sound/ Regnar Returns | Mario Nascimbene, Mario Nascimbene Studio Orchestra | 3:01 | |
| Shane Theme - From "Shane" Original Soundtrack | Victor Young | 2:53 | |
| The Tiny Scout (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 3:18 | |
| Now, Voyager | Charles Gerhardt | 5:52 | |
| Theme from the Onedin Line | John Keating/London Symphony Orchestra | 5:01 | |
| They're Playing My Song (Hers) - 1979 Original Broadway Cast | Lucie Arnaz, Brooks Arthur, Bob Merritt | 2:45 | |
| In My Dreams - Remembrance Version | Military Wives, Jon-Joseph Kerr | 3:07 | |
| Fugue for Tinhorns | Stubby Kaye (performer), Guys and Dolls Chorus Quintet | 1:39 | |
| What's The Use Of Wond'rin' | Barbara Ruick, Shirley Jones | 3:30 | |
| I Still See Elisa | Clint Eastwood | 1:48 | |
| The Lambeth Walk - Original Cast Recording/1986 | Robert Lindsay, Maryann Plunkett | 4:18 | |
| Why isn't it you | Jeremy Northam, Christopher Northam | 2:12 | |
| Pas de Deux | Rodgers & Hammerstein | 2:12 | |
| Sean Sees Mary Kate For The First Time (Sheep Grazing); Arrival in Innisfree | Victor Young | 2:36 | |
| The House Of Eliott | Jim Parker | 2:45 | |
| The Five Pennies | The Cast | 2:18 | |
| I'll Know (from "Guys and Dolls") | Jean Simmons, Marlon Brando | 3:38 | |
| Shall We Dance' | Yul Brynner, Marni Nixon & Deborah Kerr | 4:23 | |
| Pokarekare Ana | Hayley Westenra | 3:17 | |
| When I Have Sung My Songs to You | Meryl Streep, London Metropolitan Orchestra, Terry Davies | 2:17 | |
| Mr. Mistoffelees | Various Artists, Cats Original Broadway Cast | 4:05 | |
| Suite - From "Steel Magnolias" | Georges Delerue | 8:08 | |
