| Cachaça | Pierre Cavalli | 3:41 | ||
| Soaring, Pt. 1 | Les McCann | 5:56 | ||
| Monosex | I Marc 4 | 2:07 | ||
| Messaggio | Lesiman | 3:45 | ||
| Northern Lights | Puccio Roelens | 5:18 | ||
| Risaie | Piero Umiliani | 5:10 | ||
| Headlights | Alan Tew | 1:10 | ||
| Sexopolis | Jean-Pierre Mirouze | 4:42 | ||
| Underground | I Marc 4 | 2:37 | ||
| Evening | Maston | 1:42 | ||
| Voice in Sight | Berto Pisano | 3:06 | ||
| 大ガラスのおしゃべり | 稲垣次郎とソウル・メディア | 4:00 | ||
| Coral Eyes | Shigeharu Mukai | 9:29 | ||
| Dedicato a Twiggy | Gianni Oddi | 2:26 | ||
| Granny | O'Donel Levy | 4:25 | ||
| Max | I Marc 4 | 1:21 | ||
| ロマンス | 鈴木 弘 | 5:53 | ||
| Tsunami | The Rugged Nuggets | 3:22 | ||
| Accadde a Bali | Arawak | 2:26 | ||
| 処女航海 | セキトオ・シゲオ | 6:58 | ||
| Suoni distorti | I Marc 4 | 2:42 | ||
| Unlock more with Songs Like X Pro | ||||
| Loving tenderly | Stefano Torossi | 3:32 | ||
| The Fence (B) | Alan Tew | 2:13 | ||
| Textures | Herbie Hancock | 6:38 | ||
| Sally | Puccio Roelens | 2:45 | ||
| Sakura Sakura | Tadaaki Misago, Tokyo Cuban Boys | 7:35 | ||
| Call Me | O'Donel Levy | 4:03 | ||
| The Mating Game | Stephen Gray | 2:47 | ||
| Lovable | Sandro Brugnolini | 3:37 | ||
| Downtown Sound | Tarika Blue | 7:53 | ||
| Flying high | Stefano Torossi | 3:40 | ||
| La côte | Ahmed Malek | 2:40 | ||
| Deep Bass | I Marc 4 | 2:54 | ||
| Bananas | Weldon Irvine | 2:19 | ||
| Moda d'estate | Gianni Oddi | 2:58 | ||
| Ballo Maciguenga | Romolo Grano, I Marc 4 | 1:49 | ||
| Assignment K 3 | Basil Kirchin, John Coleman | 1:52 | ||
| Final Statement | Alan Tew | 0:49 | ||
| Charlie | Tarika Blue | 4:44 | ||
| Seasons | Pete Jolly | 3:45 | ||
| All The Children Cried | John Klemmer | 3:17 | ||
| I Remember Summer | Gene Harris | 2:03 | ||
| Palladium | Tamba 4 | 2:04 | ||
| Montara | Bobby Hutcherson | 4:58 | ||
| Is This All | Bobbi Humphrey | 3:43 | ||
| The Red Blouse | Antônio Carlos Jobim | 5:09 | ||
| Flute Sequence | Franco Micalizzi | 3:45 | ||
| Jazar's Theme - Soundtrack | Johnny Pate | 1:35 | ||
| Frustrating Disappointment | Johnny Pate | 3:30 | ||
