| Buciumeana | Akira Rabelais | 2:52 | |
| Suite for Cello and Harp: I. Chorale | Lou Harrison, Seymour Barab | 1:29 | |
| L'enfant Perdu - 2013 Remaster | Harold Budd | 2:13 | |
| Adagiati | Biosphere | 1:51 | |
| Widder | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | 1:34 | |
| Slow Loris Versus Poison Snail | David Toop, Jon Hassell | 9:23 | |
| Canto ostinato (version for 2 pianos): Section 60 | Simeon ten Holt, Jeroen van Veen, Sandra van Veen | 1:11 | |
| End of Summer Part 4 | Jóhann Jóhannsson, Hildur Guðnadóttir, Robert Aiki Aubrey Lowe | 6:22 | |
| Lara's Castle | Jeroen van Veen | 2:02 | |
| Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | 8:58 | |
| Whistle and Chime - The Art of Sound Creation | Isao Tomita | 1:54 | |
| Maggi's Flute - Lifting Off | Joanna Brouk | 2:54 | |
| 7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | 1:31 | |
| Appalachian Grove III | Laurie Spiegel | 3:14 | |
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | 1:21 | |
| Mountain of Air | Ellen Arkbro | 7:26 | |
| New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | 5:03 | |
| The Heavenly Music Corporation I | Robert Fripp, Brian Eno | 6:17 | |
| Ibu Trish | Lou Harrison, Evergreen Club Contemporary Gamelan | 8:37 | |
| Child's Footprint Duo | Ernst Reijseger | 4:30 | |
| Rothko Chapel 4 | Morton Feldman | 4:38 | |
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| World Rhythms | Annea Lockwood | 8:30 | |
| Channels Passing | Paul Dresher | 9:51 | |
| All That Remained Pt.2 | Siavash Amini | 4:57 | |
| 6 Chansons: No. 1. Ca sent le musc… (It smells like musk) | Iannis Xenakis, Stephanos Thomopoulos | 1:07 | |
| The Creative | Joanna Brouk | 8:16 | |
| Liquid Energy - Underscore Version | Brian Hodgson, Delia Derbyshire, Don Harper | 1:04 | |
| Canto ostinato (version for 2 pianos): Section 45 | Simeon ten Holt, Jeroen van Veen, Sandra van Veen | 1:43 | |
| Light and Dark | Simon Fisher Turner | 2:07 | |
| Viva Shona | Jon Hassell | 7:05 | |
| On-ness | Tom Rogerson, Brian Eno | 3:52 | |
| Car Florida | John Lurie | 3:04 | |
| (Three Synthesizers) | Josiah Steinbrick | 5:15 | |
| G Song | Terry Riley, Kronos Quartet | 9:39 | |
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | 3:55 | |
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | 9:36 | |
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | 3:31 | |
| Canto Ostinato, Part I: Section 10 | Simeon ten Holt, Irene Russo, Fred Oldenburg, Sandra van Veen, Jeroen van Veen | 5:20 | |
| Sarabande (Arr. J. Schneider for Guitar & Harp) | La Monte Young, Just Strings, John Schneider, Amy Shulman | 1:37 | |
| Light in Darkness | Evelyn Glennie | 3:41 | |
| Appalachian Grove II | Laurie Spiegel | 7:56 | |
| Interval Signal | Maddalena Fagandini | 1:39 | |
| The Sinking of the Titanic: 11. Coda | Gavin Bryars, Gavin Bryars Ensemble | 4:40 | |
| Glide V | Peter Davison | 6:35 | |
| Aurora | Jon Hassell | 5:22 | |
| Black Is The Colour | Kit Downes | 3:58 | |
| The Sinking of the Titanic: 6. Hymn IV | Gavin Bryars, Gavin Bryars Ensemble | 6:25 | |
| Late October - 2005 Digital Remaster | Harold Budd, Brian Eno | 4:44 | |
| Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | 3:44 | |
