| Honda | Yasuaki Shimizu | 1:35 | ||
| To Continue | Mark McGuire | 4:59 | ||
| Everything Turns Black to Blue | Slow Attack Ensemble | 4:00 | ||
| Morning Light | Locust | 1:22 | ||
| Acting Like a Lover | Woo | 2:37 | ||
| Shadows Across The Path | Steve Hiett | 5:49 | ||
| Running Down the Hill | Domenique Dumont | 2:27 | ||
| Holding No Hands | Jason Kolàr | 3:20 | ||
| Shutt | Column | 1:56 | ||
| Imagination | Kuniyuki Takahashi | 6:30 | ||
| Memories | June11 | 4:23 | ||
| Paumalu | Mike Cooper | 6:21 | ||
| Semi Tori No Hi | Yasuaki Shimizu | 4:35 | ||
| Ash Emerald | Golden Brown | 0:59 | ||
| Watching Boats Pass By | Domenique Dumont | 3:36 | ||
| Manchmal | Cluster | 2:09 | ||
| Overworld | A.R.T. Wilson | 2:42 | ||
| Into the Groves | Ernest Hood | 1:42 | ||
| Kono Yoni Yomeri (Sono 2) | Yasuaki Shimizu | 2:20 | ||
| Wild Grass II (for Robert Wyatt) | Arp, Anthony Moore | 3:23 | ||
| Sleepy Eye | Susumu Yokota | 2:44 | ||
| Unlock more with Songs Like X Pro | ||||
| Travel Softly | Seahawks, Woo | 2:08 | ||
| Ships | Loren Connors | 1:13 | ||
| The Frog's Fandango | Woo | 2:53 | ||
| Over At Dieter’s Place | Mark Barrott | 3:20 | ||
| MOTHER | Yasuaki Shimizu | 1:03 | ||
| Hew | Flaer | 2:47 | ||
| Shark Butt | The Sweet Enoughs | 5:25 | ||
| More Than Love | yes/and | 3:39 | ||
| Om Swastiastu | Cybe | 4:01 | ||
| V2 Slight Return | Arp | 0:58 | ||
| Koto (Glimpse) | Laraaji | 1:48 | ||
| Water Music | Roberto Musci | 2:02 | ||
| April | Anne Laplantine | 1:52 | ||
| Tumble | yes/and | 2:28 | ||
| Lady Street Racer | Scott Gilmore | 2:38 | ||
| Source | Fools | 4:29 | ||
| Gentle Actions | Woo | 6:17 | ||
| Phthalo Blue | Laundry | 3:18 | ||
| ...In Open Country | K.S. Eden | 4:12 | ||
| Keith | Wilson Tanner | 5:21 | ||
| Summer Stroll | Steve Hiett | 3:52 | ||
| Downtown to Vesuvio | Roy Montgomery | 1:45 | ||
| Bali Pulau Bagus | Cybe | 2:44 | ||
| Don't Delay | Woo | 3:59 | ||
| Two Voices | K. Leimer | 2:00 | ||
| November | Colleen | 2:08 | ||
| Angelic Forces Unite | Seahawks, Woo | 2:43 | ||
| In "D" | The Durutti Column | 2:27 | ||
