| Songs from Liquid Days: No. 5, Liquid Days, Pt. 2, Open the Kingdom | Philip Glass, Michael Riesman, Douglas Perry, Philip Glass Ensemble | 7:02 | |
| The Double Theme - Version 2 | Andrew Hewitt | 3:45 | |
| Pastorale in F Major, BWV 590: III. Aria | Johann Sebastian Bach, Miklós Teleki | 3:02 | |
| Futamono | Brian Reitzell | 9:30 | |
| Incantatio Op. 12: Evocatio | Richard Dubugnon, Dominic Harlan, Matthew Sharp | 7:24 | |
| Bram Stoker's Dracula: Vampire Hunters | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | 3:05 | |
| Albert Speers Abschied | Stephan Zacharias | 2:04 | |
| The Father | Johan Söderqvist | 1:47 | |
| Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Franz Schubert, Soovin Kim, David Soyer, Mitsuko Uchida | 9:03 | |
| Gloradin | Lisa Gerrard | 3:56 | |
| Lux Aeterna | Clint Mansell, Kronos Quartet | 3:54 | |
| Brandon | Harry Escott | 8:27 | |
| Microcosmos | Bruno Coulais | 1:56 | |
| Rebirth | Asomnu | 2:58 | |
| Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | 10:49 | |
| Go Back to Your Friends | Nico Muhly | 5:21 | |
| Mindhunter Main Titles by Choir | Jason Hill | 1:57 | |
| Cries And Whispers | Cho Young-Wuk | 3:32 | |
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | 2:17 | |
| Austerlitz - Allegretto | Nicholas Britell | 1:37 | |
| Una Patada en los Huevos | Alberto Iglesias | 1:47 | |
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| Raduysya (Rejoice): IV. And he returned to his own abode [Nun ist er in sein Haus zurückgekehrt] | Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen | 6:20 | |
| Meltdown | Clint Mansell, Kronos Quartet | 3:56 | |
| La gazza ladra: Overture | Gioachino Rossini, Prague Sinfonia, Christian Benda | 9:48 | |
| Dracula: Main Theme | Dan Redfeld & Elizabeth Hedman | 3:55 | |
| Music for Marcel Duchamp | John Cage, Philipp Vandre | 5:55 | |
| Funeral of Queen Mary (From "A Clockwork Orange") | Hollywood Symphony Orchestra | 3:45 | |
| Thugs Passing in the Night | Carter Burwell | 1:12 | |
| Metropolis: I. Auftakt: Maschinenhalle - Moloch | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | 5:19 | |
| The Crowd Embrace | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, State Choir Latvija | 3:04 | |
| Josephine | Martin Phipps | 3:08 | |
| 絵筆 | Shigeru Umebayashi | 2:25 | |
| Boring Old Banking | Nicholas Britell | 1:15 | |
| The Transpose Blue Field | Tatiana Lisovskaya | 5:53 | |
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | 2:46 | |
| Restless | Abel Korzeniowski | 1:21 | |
| Contest Winners - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | 2:34 | |
| Ligeti: Requiem: II. Kyrie. Molto espressivo | György Ligeti, Jonathan Nott, London Voices, Berliner Philharmoniker | 6:35 | |
| Intermezzo in C Minor - "Money Wins" | Nicholas Britell | 1:47 | |
| Daylight Express To Lutz | Alexandre Desplat | 2:16 | |
| I Got It Bad (And That Ain't Good) | Oscar Peterson | 3:10 | |
| Forever Without End (Solo Voices) | Jocelyn Pook | 1:50 | |
| With My Own Eyes | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | 4:40 | |
| Backwards Priests | Jocelyn Pook | 3:37 | |
| The Morrow | Michael Nyman | 3:10 | |
| Tinker Tailor Soldier Spy | Alberto Iglesias | 5:57 | |
| Symphony No. 7 In A, Op. 92: 2. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | 7:45 | |
| Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | 7:48 | |
| Aftermaths | David Shire | 4:08 | |
