| Vincent's Theme | Carmine Coppola | 1:49 | |
| December | Gianni Marchetti | 4:41 | |
| Valse du palais 2 | Henri Seroka | 1:27 | |
| Alone | The Melachrino Strings, The Melachrino Orchestra | 2:44 | |
| Six gnossiennes: Gnosienne 2, avec étonnement | Erik Satie, Gabriel Tacchino | 2:05 | |
| The Last Chance - L' ultima Chance (Main Titles) | Luis Bacalov | 2:59 | |
| Romancing | Nonemis | 1:00 | |
| Le secret | Philippe Rombi | 1:52 | |
| Ecole militaire 3 | Henri Seroka | 1:48 | |
| Eclisse Slow - From "L'eclisse" Original Soundtrack | Giovanni Fusco | 2:44 | |
| Estudio in E Minor | Francisco Tárrega, Philip Hemmo | 1:21 | |
| Prelude #4 in G, OP 28 | Jack Nitzsche | 1:39 | |
| Hurdy-Gurdy: I. Moderato (From "Tagessterne") | Rundfunk-Sinfonieorchester Berlin, Frank Strobel | 1:40 | |
| Comment Voulez-Vous | Jean Constantin | 1:38 | |
| Alba Sul Mare | Piero Umiliani | 3:12 | |
| Metropolis: I. Auftakt: Metropolis Thema | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | 1:02 | |
| Une amitié | Philippe Rombi | 1:30 | |
| Garden of Innocence | Pino Donaggio | 2:08 | |
| Gino et Lucy - From Deux hommes dans la ville | Philippe Sarde | 2:06 | |
| By The Sea (From Eternity And A Day) | Eleni Karaindrou, Eduardo Viñuela | 1:56 | |
| The Father | Johan Söderqvist | 1:47 | |
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| Solange | David Arnold | 0:59 | |
| Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | 1:18 | |
| Irene's Song (from "Forsyte Saga") | Geoffrey Burgon, Dave Loew | 2:00 | |
| Générique de fin (From "Adieu poulet") | Philippe Sarde | 2:27 | |
| Seul | Christophe Julien | 2:16 | |
| Ma l'amore no | Lelio Luttazzi | 1:11 | |
| Stagecoach | Russian State Symphony Orchestra Of Cinematography, Sergei Skripka | 1:28 | |
| Zen | Philippe Sarde, Toots Thielemans, Larry Coryell | 1:03 | |
| Nostalgia Per Eva | Alberto Baldan Bembo, Angelo Arienti | 2:58 | |
| Nocturne No. 20 in C-Sharp Minor, B.49, Op. posth. - 1980 recording | Frédéric Chopin, Władysław Szpilman | 3:24 | |
| Titoli | Fred Bongusto | 1:17 | |
| Mai 68 | Philippe Sarde | 2:43 | |
| Personal Contact | Michel Colombier | 1:37 | |
| Natascha - Main Theme | Peter Thomas Sound Orchester | 2:02 | |
| Discorsi in prospettiva | Fred Bongusto | 1:27 | |
| Memorie del passato | Andrea Guerra | 1:46 | |
| Love Theme | Emile Mosseri | 2:23 | |
| Cesar, David et Rosalie | Philippe Sarde | 1:49 | |
| Uccidere in silenzio 3 | Nora Orlandi, Stelvio Cipriani | 1:31 | |
| More - Modelle in blu | Riz Ortolani, Nino Oliviero | 3:50 | |
| Maquillage | Stelvio Cipriani | 1:14 | |
| In Bicicletta | Luis Bacalov | 2:28 | |
| Servizio fotografico - Remastered 2022 | Bruno Nicolai | 1:59 | |
| Flow | The EP, Jane Schiele | 1:11 | |
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | 9:00 | |
| Le samouraï - Bande originale du film "Le samouraï" | François de Roubaix | 2:07 | |
| Main Title | Clint Eastwood | 1:57 | |
| Fine di un incubo - Titoli di coda - Remastered 2022 | Bruno Nicolai | 2:21 | |
