Fools | Drugdealer | 4:29 | ||
Middle America | Pure X | 2:59 | ||
Pink Litmus Paper Shirt | R. Stevie Moore | 3:41 | ||
Quasar | Dumbo Gets Mad | 4:07 | ||
Return to Cherry | Part Time | 4:57 | ||
Foggy | John Myrtle | 2:48 | ||
Pocket Full of Rainbows | Jan & Dean | 2:59 | ||
Shabop Shalom | Devendra Banhart | 4:38 | ||
The Things Themselves | Holy Hive, Mary Lattimore, SASAMI | 3:29 | ||
Venetian Screens | CCFX | 4:29 | ||
Mr. Polydactyl Cat | levitation room | 3:32 | ||
Forgot Again | Loving | 2:00 | ||
Suddenly | Drugdealer, Weyes Blood | 3:17 | ||
Death | Surrealist Temple Band, Insecure Men | 5:06 | ||
Jean's Ballad - Bonus | Part Time | 3:28 | ||
Vagina Dentata | Fat White Family | 2:58 | ||
Yonder Blue | Tortoise | 3:18 | ||
Love in Passing | Adeodat Warfield | 3:37 | ||
Rybro | Helvetia | 2:44 | ||
Sandra (When The Earth Dies) | White Fence | 2:26 | ||
Sunflower Seeds | The Orielles | 5:04 | ||
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Red Lady | Phil Cordell | 2:30 | ||
Underground | Horsey | 2:15 | ||
Were You Saying Something? | Drugdealer | 2:21 | ||
Daily Gazette | PAINT | 2:37 | ||
Sexy Man | Connan Mockasin | 4:06 | ||
Round and Round | Ariel Pink | 5:08 | ||
5ft7 | Tonstartssbandht | 3:25 | ||
Kim's Sunsets | Fat White Family | 4:20 | ||
Electrocution | Automatic | 2:30 | ||
The Saddest Man in Penge | Insecure Men | 1:55 | ||
Phone | Tim Presley, White Fence | 3:49 | ||
Flamingo | Fruit Bats | 4:01 | ||
Christine | EERA | 2:16 | ||
Southbound Station | Omni | 2:42 | ||
Hang on to Life | Ariel Pink, Jorge Elbrecht | 3:41 | ||
Love Is | Robert Lester Folsom | 3:26 | ||
Ta Fardah | PAINT | 2:47 | ||
New York | JW Francis | 2:58 | ||
For Your Eyes Only | Babe Rainbow | 4:10 | ||
Sole Mate | infinite bisous | 4:19 | ||
I Don't Wanna Dance (with My Baby) | Insecure Men | 3:36 | ||
Lead the Way | Ultimate Painting | 3:10 | ||
Mean Maybe | Yellowbirds | 3:01 | ||
Black Mould | Ulrika Spacek | 4:15 | ||
Billy & I | Travis Bretzer | 2:24 | ||
Go Go x2 | Ariel Pink | 2:08 | ||
Honey Moon | Mac DeMarco | 2:37 | ||
Time Being | Surface To Air Missive | 3:53 |