| Al Kongo Udu | Jon Hassell | 5:12 | ||
| Zaybanakoy | Mamman Sani | 5:29 | ||
| Filter Dub | Seefeel | 8:47 | ||
| Into the Groves | Ernest Hood | 1:42 | ||
| Madeline | The Durutti Column | 3:04 | ||
| Five, Sweet Five | Giovanni Venosta | 2:08 | ||
| Kakashi | Yasuaki Shimizu | 4:44 | ||
| El secreto de las 12 | Finis Africae | 7:01 | ||
| The Layout of Failure | Jason Kolàr | 3:28 | ||
| Heyloo / Snakeskin | Josiah Steinbrick | 4:09 | ||
| Slipstream | Jon Hassell | 2:54 | ||
| The Desert | Absent Music | 2:50 | ||
| Lady Street Racer | Scott Gilmore | 2:38 | ||
| My Lips Get Hot | Saskia | 8:15 | ||
| Erotica | Akis | 3:08 | ||
| Her First Rain | Jon Hassell | 1:38 | ||
| Waterdrum | Woo | 2:25 | ||
| The Seventh Wave - Sailing Away | Suzanne Ciani | 6:36 | ||
| Rabbits of the Void | Tomaga | 6:36 | ||
| Be Going | Bitchin Bajas | 9:21 | ||
| Akasha | A.R.T. Wilson | 3:12 | ||
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| The Western | Woo | 2:07 | ||
| Hagoromo | Susumu Yokota | 3:52 | ||
| Looking Forward to Something, Dude | Joseph Shabason | 4:01 | ||
| Orpheus | Ronald Langestraat | 4:29 | ||
| A Deep Trip Within | Seahawks, Woo | 3:09 | ||
| Lanquidity | Bitchin Bajas | 6:29 | ||
| Downtown Suburbia | Woo | 1:38 | ||
| Landebahn | Moebius, Plank | 1:28 | ||
| To Continue | Mark McGuire | 4:59 | ||
| Going to Sleep | Joanna Brouk | 2:17 | ||
| Facing East | K. Leimer | 2:10 | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | 2:11 | ||
| Die Bunge | Cluster, Brian Eno | 3:47 | ||
| Morino Gakudan | Susumu Yokota | 3:28 | ||
| Vivid / Tile Vid | Josiah Steinbrick | 3:30 | ||
| Sur la plage - Remastered | Deux Filles | 3:18 | ||
| Halflight Visions | Arp | 4:55 | ||
| Nnuunn | Fools | 5:05 | ||
| Lidda | Mamman Sani | 5:36 | ||
| Gewiß | Roedelius | 4:48 | ||
| Weekend at Brian's | The Sweet Enoughs | 4:16 | ||
| Overheard | Woo | 5:08 | ||
| Honda | Yasuaki Shimizu | 1:35 | ||
| Shisheido | Fennesz | 2:57 | ||
| Tides | Scott Gilmore | 1:26 | ||
| Two Oldtimers | Moebius, Plank | 7:02 | ||
| In Ewigkeit | Cluster | 7:24 | ||
| Moonglow | Josiah Steinbrick | 1:38 | ||
