| Leave Or Be Yours | The Helio Sequence | 3:12 | ||
| The Way You Arrive | French Kicks | 4:21 | ||
| Black Eyes | Snowden | 3:58 | ||
| Conquest | Tapes 'n Tapes | 4:13 | ||
| Follow | DIIV | 2:45 | ||
| No Regrets | The Helio Sequence | 1:42 | ||
| Also Ran | French Kicks | 4:15 | ||
| Easy | Real Estate | 3:53 | ||
| Summertime Is Coming | Paul Banks | 4:41 | ||
| Austere | The Joy Formidable | 3:30 | ||
| Do What You Will | Papercuts | 3:41 | ||
| Crying Just for Show | French Kicks | 3:32 | ||
| Gender Bombs | The Stills | 3:59 | ||
| Border Guards | The Rosebuds | 3:38 | ||
| It's a Curse | Wolf Parade | 3:12 | ||
| Murasaki | Cheatahs | 4:59 | ||
| Bury Me | Girls Names | 3:19 | ||
| In Houston | Tapes 'n Tapes | 4:04 | ||
| Operation | Yuck | 3:47 | ||
| Progress | Francisco The Man | 3:47 | ||
| Hi-Fi Goon | Throw Me The Statue | 2:40 | ||
| Unlock more with Songs Like X Pro | ||||
| Thinking of a Dream I Had | The Walkmen | 4:27 | ||
| Blank Slate | The National | 3:15 | ||
| Clash the Truth | Beach Fossils | 2:03 | ||
| Paradise | Wild Nothing | 5:30 | ||
| Lose My Way | TOY | 4:26 | ||
| Anti-Anti | Snowden | 3:55 | ||
| Wake Up | The Walkmen | 4:13 | ||
| The Plot | White Rabbits | 3:31 | ||
| What We Had | Handsome Furs | 3:56 | ||
| Sweet Sweet Heartkiller | Say Hi | 3:18 | ||
| Shut You Down | Caveman | 4:10 | ||
| Spore | Ramona Falls | 4:19 | ||
| Floating Vibes | Surfer Blood | 3:55 | ||
| Autumn | Bear In Heaven | 3:00 | ||
| Hearts of Iron | Handsome Furs | 3:35 | ||
| Sad, But Endearingly So | Say Hi | 4:14 | ||
| Mtlov (Minor Keys) | A Sunny Day In Glasgow | 4:08 | ||
| Just Drums | Tapes 'n Tapes | 3:44 | ||
| Baby Get Worse | Divine Fits | 4:15 | ||
| Mr. Startup | Wolf Parade | 3:31 | ||
| Take It Easy | Surfer Blood | 3:50 | ||
| Solong | School '94 | 2:45 | ||
| Serve the People | Handsome Furs | 4:06 | ||
| Know Me | Frankie Rose | 2:52 | ||
| Joke | Chastity Belt | 5:32 | ||
| 7/4 (Shoreline) | Broken Social Scene | 4:53 | ||
| PDA | Day Wave, Hazel English | 5:05 | ||
| Going Nowhere | Cut Copy | 3:48 | ||
