If We Were Older | The Gloomies | 4:51 | ||
Acid Flashback | The Humble Cheaters | 2:32 | ||
Swing Dreams | Corn on My Dinner Plate | 3:57 | ||
Cut Me Off | Madeline Kenney | 3:19 | ||
Bad Taste Blues, Pt. III | Ball Park Music | 4:18 | ||
Check Your Optimism | Vanillaroma | 4:12 | ||
Paper Dagger | In The Pines | 3:57 | ||
Take You | Early Eyes | 2:35 | ||
Catskill | Astrachan, Berta Bigtoe | 1:58 | ||
I Listen to Your Radio Show at Night | Grady Strange | 3:10 | ||
Never Lonely | Space Mountain | 3:50 | ||
Clementine | T. Evann | 5:09 | ||
Nothing in This Town | The Dig | 4:34 | ||
2+2 | Brantwood | 3:50 | ||
Orchestration | Cape Weather | 3:05 | ||
Blonde Blood | Boyscott | 4:06 | ||
Birthday Party/Life Crisis | Sleeping Jesus | 3:10 | ||
Lemon Sun | Grady Strange | 2:53 | ||
Chop Suey | Brother Son | 4:00 | ||
Vacation Home | Whitehall | 4:36 | ||
Bombay | Sleep Good | 3:44 | ||
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Honey Drip | Long Island Railroad, Smushie, Ryan Gebhardt | 2:23 | ||
Blue Skies | Moxie | 2:49 | ||
Mean Maybe | Yellowbirds | 3:01 | ||
Dana Be Mine | TC Superstar | 2:53 | ||
Take Your Time | Sarah and the Sundays | 2:56 | ||
Qué Pasa? | TOLEDO | 3:04 | ||
Play for You | Grant Claytor | 3:12 | ||
Fried | Fishing in Japan | 2:50 | ||
Marco Polo | Boyscott | 3:14 | ||
Can You Listen? | Berta Bigtoe | 2:45 | ||
Learn to Share | A Great Big Pile of Leaves | 5:11 | ||
Lucy | Sleepy Gaucho | 4:03 | ||
Quarter Past the Hour | Jack and Eliza | 3:03 | ||
Working Together | Born Ruffians | 4:32 | ||
The Ballad Of Joyce Vincent | Spang Sisters | 3:06 | ||
Brooklyn (for Leah) | Sleeping Jesus | 4:05 | ||
Hangover | Grand Lotus | 3:24 | ||
In the Clear | Bird and Byron | 3:15 | ||
Coke Rush. | Cottonwood Firing Squad | 3:10 | ||
It's Nothing | Lexie | 2:03 | ||
L.S.B. | Duncan Fellows | 3:08 | ||
Krawn the Destroyer | Sexy Girls | 5:58 | ||
Goddess | Sleeping Jesus | 3:14 | ||
Single Star | Spaceface, LABRYS | 2:46 | ||
Keep Me In Mind | Night Moves | 3:14 | ||
Hold the Fort | Berta Bigtoe | 3:04 | ||
FOMO | TOLEDO | 3:39 | ||
New Highs/New Lows | Charles Brand | 3:30 |