| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio (Cadenza by Britten) | Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | 8:31 | |
| Sonate pour Arpeggione et Piano en La Mineur, D. 821: II. Adagio | Franz Schubert, Jean-Guihen Queyras, Alexandre Tharaud | 4:28 | |
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | 1:57 | |
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | 3:24 | |
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | 1:51 | |
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | 7:45 | |
| Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | 3:47 | |
| String Quintet in C Major, Op. 29: II. Adagio molto espressivo | Ludwig van Beethoven, Academy of St. Martin in the Fields | 9:38 | |
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | 6:01 | |
| 6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | 1:32 | |
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Inon Barnatan, Alan Gilbert, Academy of St. Martin in the Fields | 7:41 | |
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | 2:39 | |
| Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | 4:17 | |
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | 1:40 | |
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| 8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | 2:39 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | 2:35 | |
| Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | 2:14 | |
| Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | 1:46 | |
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | 1:46 | |
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| Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | 4:32 | |
| Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | 4:47 | |
| Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | 2:02 | |
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John C. Williams, Christine Pendrill, Louis Frémaux, Philharmonia Orchestra | 10:26 | |
| Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | 2:01 | |
| Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | 1:08 | |
| En rêve, S. 207 | Franz Liszt, Paul Lewis | 2:34 | |
| 3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | 2:50 | |
| Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | 3:52 | |
| Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | 6:39 | |
| Serenade for Strings in E Minor, Op. 20: 1. Allegro piacevole | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:32 | |
| L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 4:27 | |
| Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | 10:44 | |
| Serenade For Winds, K. 361, 3rd Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:12 | |
| Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | 5:14 | |
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | 3:25 | |
| 3 Petites Pièces: 3. Pequeña sevillana | Joaquín Rodrigo, Pepe Romero | 3:46 | |
| Fandango | Joaquín Rodrigo, Pepe Romero | 3:37 | |
| Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | 1:20 | |
| Concerto for 2 Mandolins, Strings and Continuo in G major, RV 532 - Arr. Pepe Romero for 2 Guitars, Strings and Continuo: II. Andante | Antonio Vivaldi, Angel Romero, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | 3:32 | |
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | 5:37 | |
| Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | 2:23 | |
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | 2:10 | |
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | 3:40 | |
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, The Cleveland Orchestra, Pierre Boulez | 9:23 | |
| Tres Pequeñas Piezas: 1. Ya se van los pastores | Joaquín Rodrigo, Pepe Romero | 2:01 | |
| Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | 1:53 | |
| Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:41 | |
