Blue Eyes | Fall of Saigon | 2:06 | ||
Celle Vache de ma Mere | Alexander Robotnick | 2:54 | ||
Invitation | Saâda Bonaire | 5:21 | ||
Hazey Daze | Chris & Cosey | 3:21 | ||
Speed | Daily Fauli | 3:27 | ||
Summary Of All My Dreams | Elisa Waut | 3:25 | ||
Radiance | Oppenheimer Analysis | 4:43 | ||
High Pressure Days | The Units | 3:17 | ||
Bordeaux | The Durutti Column | 3:31 | ||
Rain in the South | Art Fact | 4:01 | ||
Choci Loni | Young Marble Giants | 2:37 | ||
Everybody's Night | Deux | 5:35 | ||
Don't Let Go - 12” Version | Pink Industry | 4:04 | ||
Little Dead Bodies | Algebra Suicide | 4:50 | ||
Boom Boom Romance | Medio Mutante | 3:16 | ||
Rights For Gays | John Maus | 2:38 | ||
Shut the Door | Saâda Bonaire | 5:11 | ||
The Devil's Dancers | Oppenheimer Analysis | 3:04 | ||
Masters of War | Anika | 7:33 | ||
You Today | Martial Canterel | 3:13 | ||
This Is Me | Chris & Cosey | 2:58 | ||
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Crazy Love | Colder | 5:11 | ||
Mots | Ruth | 5:21 | ||
Looking from a Hilltop | Section 25 | 4:23 | ||
Synthesize Me | The Space Lady | 4:45 | ||
Cardboard Lamb | Crash Course In Science | 2:30 | ||
Wild in Blue ('88 Version) (2023 Remaster) | Suicide | 4:33 | ||
Palais D'Amour | Bal Paré | 3:35 | ||
Je te tiens, Tu me tiens | Reymour | 3:27 | ||
Mots - Soft Edit | Ruth | 5:52 | ||
Just Wait Til Next Year | John Maus | 2:26 | ||
Lonely Streets - 1982 | Futurisk | 5:24 | ||
Schéma corporel | Automelodi | 4:32 | ||
Alternative Strategies | Turquoise Days | 3:18 | ||
New Mexico | Oppenheimer Analysis | 7:39 | ||
She Leaves Me All Alone | Fall of Saigon | 4:19 | ||
Bloody Shadows from a Distance | Lena Platonos | 3:04 | ||
Sato-Sato | DAF | 2:49 | ||
Stolen Kisses | Chris & Cosey | 4:11 | ||
Second Face | Saâda Bonaire | 4:01 | ||
Flicking Your Switch | Ladytron | 3:26 | ||
Ricky's Hand | Fad Gadget | 4:09 | ||
Be Brave | Section 25 | 4:38 | ||
Pretty Day | Marie Möör | 2:59 | ||
Adieu Au Dancefloor | Marie Davidson | 5:58 | ||
Discotraxx | Ladytron | 3:50 | ||
I Hope You Die | Molly Nilsson | 4:28 | ||
Cold War | Oppenheimer Analysis | 5:34 | ||
Deux | Deux | 3:33 |