| Pergola | Oh Shu, Bioman | 2:01 | ||
| Windy Prism Room | Takako Minekawa, Dustin Wong | 7:17 | ||
| Dal Boca Vista | Surfing | 1:08 | ||
| アンチ技術のマジェスティックビューティー | Nmesh | 6:13 | ||
| Bridgestone 4 | Yasuaki Shimizu | 1:00 | ||
| 街のあいだ | mmm, Emerson Kitamura | 3:59 | ||
| Water Melodies | Shinichiro Yokota, Soichi Terada | 6:11 | ||
| Bara no Hana | Qururi, Rei Harakami | 6:28 | ||
| 1517 | Joseph Shabason | 5:57 | ||
| Grace Days | I Am Robot And Proud | 3:41 | ||
| Nami | Kazumasa Hashimoto | 1:26 | ||
| People Eating Fruit | Caribou | 6:11 | ||
| Still Space | Satoshi Ashikawa | 3:59 | ||
| Naku Uinti | Ilkae | 1:17 | ||
| November, 1st in Detroit | Slow Attack Ensemble | 3:56 | ||
| Yasashii Koe | Kazumasa Hashimoto | 1:56 | ||
| Blue | Tanzmuzik | 7:25 | ||
| Alone in Hawaii | Panoram | 2:21 | ||
| Bananatron | INOYAMALAND | 7:40 | ||
| A Furrow Dub | sugar plant | 6:02 | ||
| Lagoon | Kaitlyn Aurelia Smith | 3:10 | ||
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| sequence_03 | Rei Harakami, Ikuko Harada | 4:04 | ||
| Good Sleep | I Am Robot And Proud | 2:21 | ||
| Terni | Oh Shu, Bioman | 4:35 | ||
| Curio | MEITEI | 4:22 | ||
| mahou no hiroba | Nobukazu Takemura | 9:04 | ||
| いとぐち | Rei Harakami | 4:27 | ||
| I Imagine | Susumu Yokota | 2:34 | ||
| lib | agraph | 5:49 | ||
| Nijuuisseiki No Mori (UP-05) | Takuro Okada, duenn | 1:09 | ||
| Teevee | Hiroshi Yoshimura | 3:36 | ||
| Stop Me | Tadahiko Yokogawa | 5:17 | ||
| WASSER | INOYAMALAND | 4:18 | ||
| double flat | Rei Harakami | 5:12 | ||
| Slowness | Ana Roxanne | 4:20 | ||
| Shissou | Kazumasa Hashimoto | 2:50 | ||
| You Were There | Casino Versus Japan | 1:33 | ||
| Ooharu | Masakatsu Takagi | 3:40 | ||
| Forevertime Journeys II | naran ratan | 1:43 | ||
| Szek | dom mino' | 2:07 | ||
| MARS | Sketch Show | 4:15 | ||
| 茜空 (feat. 今西玲子) | Ironomi, 今西玲子 | 9:54 | ||
| AIU | INOYAMALAND | 3:48 | ||
| Old Obscurity | Ametsub | 2:48 | ||
| Zoë | Duke Hugh | 2:28 | ||
| nonlinear diffusion | agraph | 5:45 | ||
| Different Sky | aus | 1:38 | ||
| joy | Rei Harakami | 10:00 | ||
| Capybara | Swing Slow | 5:27 | ||
