Pan de Azucar | Nora Orlandi | 2:05 | ||
Flute in Five Four | Duncan Lamont | 2:19 | ||
Tropical Club | Alberto Baldan Bembo | 3:15 | ||
Voice in Sight (From "La svergognata") | Berto Pisano | 3:06 | ||
Attico illuminato | Ennio Morricone, Oscar Valdambrini | 2:00 | ||
Ketty | Puccio Roelens | 2:40 | ||
Muito A Vontade | Joao Donato E SEU TRIO | 2:34 | ||
Uneasy Silence | Duncan Lamont | 2:08 | ||
Tattile | Oscar Rocchi, Franco Godi | 2:41 | ||
Charlie Chester Show | Alan Moorhouse | 1:14 | ||
Grand Slam | Reg Tilsley, De Wolfe Music | 2:16 | ||
Não Podes Fugir do Teu Destino | Hareton Salvanini | 2:18 | ||
シンフォニー第3番 Op. 90 第3楽章 | セキトオ・シゲオ | 3:12 | ||
Factory Fresh | Tony Kinsey | 2:55 | ||
I'm Blind to All but You | 杉本喜代志 | 5:39 | ||
Smoke and Dreams | The Manfred Minnich Orchestra, Manfred Minnich | 3:26 | ||
Lovable | Sandro Brugnolini | 3:37 | ||
Pop Avenue - Remastered | Janko Nilovic | 3:34 | ||
Riposo meritato | Giuliano Sorgini | 4:15 | ||
Barlington - Version 2 | Bruno Nicolai | 1:03 | ||
Getz'n Groove | Paul Moran, Duncan Lamont | 5:48 | ||
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C'mon Smile | Nick Perito Orchestra | 2:02 | ||
Turning Point - Colonna sonora del film "La polizia sta a guardare" | Stelvio Cipriani | 3:23 | ||
Soft Lights (A) | Duncan Lamont | 2:35 | ||
Motivo di Giorgia, pt. 2 | Fred Bongusto | 1:20 | ||