Begin Again | New Candys | 5:28 | ||
Fountain of Good Fortune | Rolling Blackouts Coastal Fever | 5:00 | ||
Blue Comanche | Westerman | 3:28 | ||
Chinatown | Wild Nothing | 3:18 | ||
Blue | NewDad | 3:18 | ||
What Does the Normal Man Feel? | Nation of Language | 4:10 | ||
Crème Brûlée | King Hannah | 6:28 | ||
Let Me Take You Out | Class Actress | 3:18 | ||
Tonight | Katy J Pearson | 3:57 | ||
Don't Fade Away | Beach Fossils | 3:22 | ||
Cranekiss | Tamaryn | 3:50 | ||
Rush & Fever | Nation of Language | 4:00 | ||
Song For A Seagull | Teleman | 4:00 | ||
Laid | The Pains Of Being Pure At Heart | 2:50 | ||
Goodtimes | Flyying Colours | 4:03 | ||
Figure with Flowers | W. H. Lung | 3:58 | ||
Androgynous | Nation of Language | 3:32 | ||
Three | bdrmm | 6:12 | ||
Shiny New Model | BODEGA | 2:48 | ||
Cellar Door | Graveyard Club | 3:15 | ||
Tropic Morning News | The National | 5:09 | ||
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Gemini and Leo | Helado Negro | 4:27 | ||
Like I Used To | Sharon Van Etten, Angel Olsen | 4:23 | ||
Fear | Chastity Belt | 4:17 | ||
Change | The War On Drugs | 6:04 | ||
Tv Flicker | Pale Blue Eyes | 3:07 | ||
Jeff Goldblum | Mattiel | 3:20 | ||
Forever at Last | HighSchool | 4:24 | ||
Whatever You Want | Nation of Language | 4:53 | ||
Valens | Graveyard Club | 4:19 | ||
Superstar | Beach House | 6:08 | ||
Pre-Code Hollywood | Jonathan Bree, Nile Rodgers | 3:59 | ||
Hard Drive | Cassandra Jenkins | 5:27 | ||
Looking Backward | Melody's Echo Chamber | 3:21 | ||
Harbour | Cate Le Bon | 4:08 | ||
Friend Machine | Nation of Language | 4:27 | ||
Empty | Goldensuns, Warpaint | 3:17 | ||
A Kiss Before Dying | Still Corners | 2:45 | ||
Somebody Like | W. H. Lung | 4:37 | ||
Confirmation (SSBD) | Westerman | 4:18 | ||
Tal Uno | Barrie | 4:27 | ||
Miki Dora | Amen Dunes | 5:03 | ||
Let It Burn | Le Blonde | 3:30 | ||
Ladybird | NewDad | 4:05 | ||
Night Light | Cold Cave | 4:29 | ||
Deep Down Way Out | Orlando Weeks | 2:43 | ||
How Can I Make It Ok? | Wolf Alice | 4:47 | ||
Like Sweetness | Warpaint | 3:50 | ||
Palace of OKV in Reverse | Kurt Vile | 2:53 |