| Mahogany Hall Stomp | King Oliver | 2:39 | |
| Song Of The Islands | Earl Hines | 2:37 | |
| Tchaikovsky: The Sleeping Beauty, Op. 66: Introduction | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | 2:57 | |
| Hello Little Boy | Inge Brandenburg, Ensemble Günther Leimstoll | 2:23 | |
| I'Ll See You Again | Noel Coward | 3:17 | |
| Almost Like Being in Love | Dean Martin | 1:59 | |
| Last Tango in Paris - Ultimo Tango a Parigi (Titles) | Gato Barbieri | 3:24 | |
| I've Got The Sun In The Morning | Janet Seidel | 2:17 | |
| Tuxedo Junction | Erskine Hawkins & His Orchestra | 3:17 | |
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | 2:45 | |
| Like Blue (from "The Subterraneans") | André Previn | 1:57 | |
| Young At Heart (Theme from the film) | Johnny Richards, Carolyn Leigh, Russ Conway, The Rita Williams Singers, Tony Osborne, Tony Osborne & Orchestra | 3:10 | |
| Baby, What Else Can I Do? | Ethel Waters | 2:57 | |
| (You're Some) Pretty Doll | Eddie Condon | 2:50 | |
| Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | 3:39 | |
| Baby, Don't You Quit Now | Carol Sloane | 4:37 | |
| Ours | Mabel Mercer | 2:49 | |
| What a Difference a Day Makes | Florian Pellissier Quintet, Leron Thomas | 2:57 | |
| 20th Century Blues | Noel Coward | 3:34 | |
| (This Is) A Fine Romance | Marilyn Monroe | 2:21 | |
| Just In Time - Moderate Society | Lester Lanin | 2:06 | |
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| Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | 2:46 | |
| Estate | Biréli Lagrène | 6:27 | |
| My village | Lucia Kamenska | 1:19 | |
| Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | 9:48 | |
| Experiment | Harry Arnold and His Swedish Radio Studio Orchestra | 2:32 | |
| So Danco Samba | Buddy Greco | 2:59 | |
| Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn | 9:47 | |
| Let Yourself Go - Remastered | Mark Murphy | 2:23 | |
| They Can’t Take That Away From Me | José James | 2:04 | |
| My Foolish Heart | Scott Hamilton | 5:25 | |
| Indifférente | Serge Gainsbourg | 2:15 | |
| I Walk With Music | Bill Charlap | 5:00 | |
| Cottontail | Earl Hines | 3:13 | |
| If Dreams Come True | Chick Webb | 3:24 | |
| Called On Account Of Rain - Remastered 1992 | André Previn, Russ Freeman | 5:11 | |
| Herman’s Habit | Justin Hurwitz | 1:51 | |
| This Little Love | Irene Kral | 2:05 | |
| Le Carnaval des Animaux, R. 125: 2. Aquarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | 2:04 | |
| Pierre Et Béatrice - BOF "Des Femmes Disparaissent" | Art Blakey | 1:03 | |
| How Little We Know | Susannah McCorkle | 3:41 | |
| Lament | Hazel Scott | 4:45 | |
| Theme For Ernie | John Coltrane | 4:53 | |
| Fantastic, That's You | Earl Hines | 4:10 | |
| Unforgettable | George Benson, Wynton Marsalis | 5:05 | |
| I'll Be Seeing You | Gladys Knight | 3:58 | |
| I'm Shooting High - Mono | Ann Richards | 1:31 | |
| Any Place I Hang My Hat Is Home | Judy Garland | 4:04 | |
| Des Femmes Disparaissent - BOF "Des Femmes Disparaissent" | Art Blakey | 1:01 | |
