| Schindler's List | Paul Mauriat | 4:51 | |
| Ballroom Waltz | Moscow Symphony Orchestra, William T. Stromberg | 1:05 | |
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | 2:30 | |
| Jalousie - Instrumental | Jacob Gade, Vasko Vassilev, Pamela Nicholson | 2:58 | |
| Humoresque, Op. 101, No. 7 | AntonĂn Dvořák, Kim Dami | 3:50 | |
| Ave Maria "Caccini" | Vladimir Vavilov, Alexander Boldachev, Alexander Kuznetsov | 3:22 | |
| Fading Light | Geoffrey Burgon | 2:53 | |
| Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | 4:39 | |
| John Williams : Schindlers list - Violin - Piano | Magnus Ericsson,violin Hans-Olov Mellqvist,piano | 3:33 | |
| La vita è bella: La vita è bella | Nicola Piovani, Trio Schau, Tommaso Lega, Edoardo Lega, Pier Filippo Barbano | 2:38 | |
| Wake of Death - Reunited | Guy Farley | 2:34 | |
| Sunlit Kiss | Rael Jones, Anthony Weeden | 3:41 | |
| Deh, vieni alla finestra | Dawid Kimberg | 1:13 | |
| Can't Help Falling In Love | Hugo Peretti, Luigi Creatore, George David Weiss, Dave Loew | 2:55 | |
| Alice Studies | Guy Farley | 1:46 | |
| Three Nocturnes for Harp: No. 2, Moderato | Geoffrey Burgon, Sarah Bullen | 2:00 | |
| Waltz | Henri Seroka | 2:25 | |
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | 6:50 | |
| Clarinet Concerto in A Major, K. 622. II: ("Out of Africa") | W. G. Mozart, Dave Loew | 3:56 | |
| Desperado | Dave Loew | 3:40 | |
| Julia | Geoffrey Burgon | 4:15 | |
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| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | 5:01 | |
| The Theme of Love | Russian State Symphony Orchestra Of Cinematography, Sergei Skripka | 2:53 | |
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| Love Theme | Guy Farley | 2:45 | |
| Le Dernier Sommeil De La Vierge | Jules Massenet, Dave Loew | 3:16 | |
| No Time to Die (From No Time to Die) - Interlude | Finneas O'Connell, Dave Loew | 1:45 | |
| Cello Concerto: III. Vivo - Meno mosso | Geoffrey Burgon, City of London Sinfonia, Josephine Knight, Rumon Gamba | 8:59 | |
| Moon River | Henry Mancini, Dave Loew | 3:26 | |
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | AntonĂn Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | 2:44 | |
| First Impressions | Original Soundtrack | 2:25 | |
| Nocturne No. 20 en Do Dièse Mineur, Op. posth. | Philippe Rombi, Stefan Rodescu | 2:23 | |
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | 6:38 | |
| Palace's Waltz (from the Film Ataturk) | Henri Seroka | 1:21 | |
| Greensleeves | Ralph Williams, Dave Loew | 1:47 | |
| People's Embrace | Pino Donaggio | 1:33 | |
| Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | 5:05 | |
| Now That It's Ended | Charlie Chaplin, Philippe Quint | 3:09 | |
| Cross tempo | Andrea Guerra | 1:55 | |
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | 3:40 | |
| Postino Bambino | Luis Bacalov | 0:52 | |
| Chaconne | Secret Garden | 3:27 | |
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | 1:39 | |
| They're Amateurs | Clint Eastwood | 1:16 | |
| Why Picton? | Academy of St. Martin in the Fields, Gabriel Yared | 1:09 | |
| Milonga del Poeta | Luis Bacalov | 1:16 | |
| Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | 3:52 | |
| Duo | Secret Garden | 3:57 | |
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | 1:53 | |