| Metropolis: I. Auftakt: Metropolis Thema | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | 1:02 | |
| "Prepare for Take Off" (Amazing Grace) | George Fenton | 2:44 | |
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | 2:50 | |
| Life is Beautiful | City of Prague Orchestra, David Micheal Frank | 4:05 | |
| Contest Winners - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | 2:34 | |
| Around The World In 80 Days - Overture | Victor Young | 3:21 | |
| Country Fayre - 60 Second Edit | Johnny Pearson | 1:03 | |
| Beyond the Sea | The Percy Faith Strings | 4:43 | |
| The Bridge On The River Kwai - The Colonel Bogey March | Malcolm Arnold | 3:02 | |
| Coronation Scot | Vivian Ellis, RTE Concert Orchestra, Ernest Tomlinson | 3:01 | |
| Loved by World | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | 3:10 | |
| The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | 3:19 | |
| Oh, You Beautiful Doll | Ian Whitcomb, The White Star Orchestra | 2:17 | |
| Theme From Rio Bravo (Deguello) | The Wester Film Band | 2:52 | |
| Main Title - From Roman Holiday (1953) | Georges Auric | 1:41 | |
| The Godfather Intermezzo | Carmine Coppola | 3:20 | |
| The Night Is Young And You’re So Beautiful | Billy Rose, Irving Kahal, Dana Suesse, Glenn Osser And His Orchestra | 3:18 | |
| Children in the Park: At the Pool | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | 2:04 | |
| A Place In The Sun - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | 8:33 | |
| Medley: Main Title / Prologue | The Warner Bros. Studio Orchestra | 5:20 | |
| Ingenuity | Byron McKay | 4:07 | |
| Unlock more with Songs Like X Pro |
| Trouble in Suez | Jack Shaindlin | 1:33 | |
| A Man a Horse a Gun - The Stranger Returns - Shoot First Laugh Last - Titles | Stelvio Cipriani | 3:45 | |
| Love Theme / Valse Elegante / Valse Charmante - From "The Gold Rush" | Charlie Chaplin | 2:47 | |
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | 3:13 | |
| High Heels | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | 3:09 | |
| 20th Century-Fox Fanfare with the CinemaScope Extension and Street Scene | Charles Gerhardt | 4:23 | |
| Beneath the Southern Cross - 1992 Remastered | Robert Russell Bennett | 4:04 | |
| Stardust | The Melachrino Strings, The Melachrino Orchestra | 4:11 | |
| Main Title - Soundtrack Version | Randy Newman | 1:30 | |
| The Dance Sequence | Original Soundtrack | 4:55 | |
| Starlight | Angela Morley, Robert Farnon, The Danish State Radio Orchestra | 2:54 | |
| Gulliver's Travels (Recons. J. Morgan): Giant In Tow | Moscow Symphony Orchestra, Moscow Symphony Chorus, John Morgan, Victor Young | 1:34 | |
| Prelude / Lara's Theme (From "Doctor Zhivago") | Erich Kunzel, Cincinnati Pops Orchestra | 5:47 | |
| The Furies Suite | Franz Waxman, Cincinnati Pops Orchestra, Erich Kunzel | 4:04 | |
| They're Amateurs | Clint Eastwood | 1:16 | |
| Beautiful Love | Victor Young | 3:19 | |
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | 11:20 | |
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | 2:58 | |
| Lawrence of Arabia (Theme from Lawrence of Arabia) | Ferrante & Teicher | 2:38 | |
| Themes from "Silverado" | Bruce Broughton, Cincinnati Pops Orchestra, Erich Kunzel | 4:14 | |
| Indiana | James F. Hanley, Dick Haymes, Ken Darby Singers, Victor Young Orchestra, Victor Young | 2:39 | |
| Destry Rides Again: You've Got That Look | Friedrich Hollaender, Marlene Dietrich, Unknown Artist, Victor Young | 2:40 | |
| Main Title: Prelude (from "Shane", 1953 Film Score) | Victor Young, MGM Studio Orchestra | 2:10 | |
| Claudia's Theme - Version Four | Lennie Niehaus, Clint Eastwood | 0:59 | |
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | 2:00 | |
| Exodus - Theme | Ernest Gold | 2:52 | |
| Daybreak In Space | Bill Conti | 2:47 | |
| Airport (Main Title) | Alfred Newman | 3:15 | |
