| Thaïs: Méditation | Jules Massenet, James Galway, National Philharmonic Orchestra, David Measham | 4:05 | |
| Vivaldi: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Christopher Parkening, Academy of St. Martin in the Fields, Iona Brown | 4:32 | |
| Boulanger / Orch. Ducros: Lux aeterna | Nadia Boulanger, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | 1:51 | |
| Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | 3:58 | |
| Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | 6:58 | |
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | 3:35 | |
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Caleb Hudson | 4:07 | |
| Massenet: Thaïs, Act 2: Méditation (Arr. for Cello and Piano) | Jules Massenet, Min Kym, Gordon Back | 5:12 | |
| Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | 6:15 | |
| Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | 6:20 | |
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | 3:36 | |
| Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | 4:39 | |
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | 3:49 | |
| Jalousie - Instrumental | Jacob Gade, Vasko Vassilev, Pamela Nicholson | 2:58 | |
| Legrand: La Valse des Lilas | Eddie Barclay, Eddy Marnay, Michel Legrand, Alison Balsom, Guy Barker, Guy Barker Orchestra | 3:33 | |
| Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | 5:12 | |
| Il Postino (the Postman) | Luis Bacalov, Juanjo Mosalini, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | 3:41 | |
| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | 2:19 | |
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | 2:44 | |
| Casablanca: "As Time Goes By" (1942) | Herman Hupfeld, Itzhak Perlman, John Williams, Boston Pops Orchestra | 4:18 | |
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | 7:30 | |
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| Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich) | Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | 14:24 | |
| Arban / Arr. Milone: Variations on Bellini's Norma | Jean-Baptiste Arban, Alison Balsom, Edward Gardner, Göteborg Symfoniker | 6:26 | |
| Marcello, A: Oboe Concerto in C Minor: III. Allegro (Transc. for Trumpet and Orchestra) | Alessandro Marcello, Sergei Nakariakov, Hugh Wolff, Saint Paul Chamber Orchestra | 2:46 | |
| The Mission: Gabriel's Oboe (Arr. T. Brostrom) | Håkan Hardenberger, Stephen Orton, Academy of St. Martin in the Fields, Kenneth Sillito | 3:18 | |
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | 2:32 | |
| Oblivion, per solista e orchestra d'archi | Salvatore Accardo, Orchestra Da Camera Italiana | 4:32 | |
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | 7:01 | |