| Glasspieces: Glasspiece No. 1 ("Rubric" from Glassworks) | Philip Glass, Michael Riesman, Philip Glass Ensemble | 6:05 | |
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | 9:50 | |
| Ionisation | Edgard Varèse, Amadinda Percussion Group | 5:46 | |
| Black Angels: I. Departure | Kronos Quartet | 5:37 | |
| Clapping Music | Steve Reich, Russell Hartenberger | 4:48 | |
| Banchikicho no Choshi (Gagaku) | Toshio Hosokawa, 0, Mayumi Miyata, Stefan Hussong | 8:48 | |
| Liquid Energy - Underscore Version | Brian Hodgson, Delia Derbyshire, Don Harper | 1:04 | |
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | 4:19 | |
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | 5:11 | |
| Höre, Der Du Wagst | Popol Vuh | 6:00 | |
| Octandre: III. Grave - Anime et jubilatoire | Edgard Varèse, Pierre Boulez, Ensemble Intercontemporain | 2:21 | |
| Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | 1:54 | |
| Studies for Player Piano: Study No. 6 | Conlon Nancarrow, Ensemble Modern, Ingo Metzmacher | 3:50 | |
| The New Albion Chorale - Reprise | Terry Riley | 2:12 | |
| Drum Mode | Gray | 7:22 | |
| Greenwood: Popcorn Superhet Receiver:, Pt. 1 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | 8:42 | |
| Children's Corner: No. 6: Golliwogg's Cakewalk | Isao Tomita | 2:51 | |
| Density 21.5 | Edgard Varèse, Karl-Heinz Schütz | 4:23 | |
| Ligeti: Ramifications | György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble | 8:00 | |
| Widder | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | 1:34 | |
| Fog Tropes | Ingram Marshall | 9:56 | |
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| World Rhythms | Annea Lockwood | 8:30 | |
| Study for Voice and Tape | Alice Shields | 5:17 | |
| Islands (Remix) - Specially Mixed for Your Personal Cassette Player | Philip Glass, Philip Glass Ensemble, Michael Riesman | 7:41 | |
| Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | 1:21 | |
| 7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | 1:46 | |
| Hyperprism | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | 3:46 | |
| Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | 3:10 | |
| BURSZTYN II: Minimáquina I | Camilo Andrés Méndez San Juan, Vertixe Sonora Ensemble | 10:24 | |
| Rebonds B | Iannis Xenakis, Christoph Sietzen | 5:46 | |
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | 5:15 | |
| Music of Changes: I | John Cage, David Tudor | 4:10 | |
| Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | 1:08 | |
| Pacific 231 | Arthur Honegger, Isao Tomita | 6:48 | |
| Pa1p1 | Ionel Petroi | 1:44 | |
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | 1:21 | |
| Capr./Caprice Rubato | Oskar Sala | 5:10 | |
| For Bunita Marcus: Beginning-M. 289 | Morton Feldman, Aki Takahashi | 10:27 | |
| Reich/Richter: Opening | Steve Reich, Ensemble Intercontemporain, George Jackson | 9:08 | |
| Glassworks: III. Islands | Philip Glass, Philip Glass Ensemble, Michael Riesman | 7:40 | |
| Goetia: V. — | John Zorn, Jennifer Koh | 1:45 | |
| The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | 1:08 | |
| Octandre - Rev. & Ed. Chou Wen-Chung 1980: 2. Très vif et nerveux | Edgard Varèse, Asko Ensemble, Riccardo Chailly | 1:46 | |
| Outrage At Valdez | Frank Zappa | 3:27 | |
| Nabitte | Cluster | 2:40 | |
| Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | 3:44 | |
| Preludes: Book I: No. 10: The Engulfed Cathedral | Isao Tomita | 6:19 | |
| ...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | 1:51 | |
| Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | 5:51 | |
