| Time Walk | Birds ov Paradise | 5:36 | ||
| Þriðji Stormur | Yagya | 6:19 | ||
| Cereal Rudestorm | Bjarki | 5:02 | ||
| Temple | efdemin | 1:44 | ||
| Community | nthng | 5:04 | ||
| Exit 12 | Dusty Kid | 3:50 | ||
| Alpine Violet | Primal Code | 5:58 | ||
| No. 3 | No. 3 | 8:19 | ||
| Löwenzahnzimmer | Thomas Fehlmann | 8:28 | ||
| The Blue Hour - Valentino Mora Cosmic Trans Rephase | Artefakt, Valentino Mora | 7:38 | ||
| Azure | Deepchord | 9:18 | ||
| In Giova | Voices from The Lake | 10:12 | ||
| An Unattainable Distance | Answer Code Request | 5:36 | ||
| Ranges - Expanded | Vainqueur | 9:20 | ||
| Forest Floor - Original Mix | Hydrangea | 6:04 | ||
| Wings of Remembrance | Sebastian Mullaert | 7:26 | ||
| Heavy Snow | STL | 9:10 | ||
| Reflection | Intrusion | 6:41 | ||
| Turn 2 Turn | Shed | 7:03 | ||
| Can You See - DJ-Kicks | Levon Vincent, Marcel Dettmann | 6:06 | ||
| Flick | Fluxion | 3:49 | ||
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| Anguilla Electrica | Porter Ricks | 7:10 | ||
| Visitor's Path | Sebastian Mullaert | 7:40 | ||
| Transport | Juan Atkins, Moritz Von Oswald, Borderland | 7:28 | ||
| Närke | Evigt Mörker | 4:15 | ||
| B1 (Anfang und Ende) | Shed | 6:03 | ||
| Fallen Leave | Ben Buitendijk | 6:31 | ||
| Lagonda | Deepchord | 9:14 | ||
| HB002 | Syncronize | 7:00 | ||
| Tide | VC-118A | 6:27 | ||
| Pio - Mixed | Monolake | 5:51 | ||
| The Eye | Acronym | 5:47 | ||
| Razor Control | Shed | 3:50 | ||
| Monistic | Sven Weisemann | 7:15 | ||
| Sands of Rainbow | Insect O. | 7:36 | ||
| The Endless Place | Stereo_IMG | 7:00 | ||
| Res | Answer Code Request | 6:21 | ||
| Body Molecule | Positive Centre | 7:20 | ||
| The Return | Planetary Assault Systems | 6:55 | ||
| Gypsophila | Roman Poncet | 10:24 | ||
| Space Echo - mixed | Daniel Avery | 3:24 | ||
| Mercury In Retrograde | Patricia | 4:46 | ||
| Largo | Fluxion | 8:25 | ||
| Yage | Quantec | 8:15 | ||
| Níundi Stormur | Yagya | 6:17 | ||
| The Lower Upside Down | Shed | 8:06 | ||
| Ritual | Etapp Kyle | 7:16 | ||
| Ur - Original Mix | Cio D'Or | 7:04 | ||
| First Plate 3 | Shinichi Atobe | 5:22 | ||
