| Battle Montage | Max Steiner | 2:57 | |
| 20th Century-Fox Fanfare with the CinemaScope Extension and Street Scene | Charles Gerhardt | 4:23 | |
| Austria - Instrumental | Michael Kamen, London Metropolitan Orchestra | 1:59 | |
| Love Theme / Valse Elegante / Valse Charmante - From "The Gold Rush" | Charlie Chaplin | 2:47 | |
| The Horn's Sound/ Regnar Returns | Mario Nascimbene, Mario Nascimbene Studio Orchestra | 3:01 | |
| Broadstairs | George Fenton | 1:09 | |
| Camelot: Overture | Frederick Loewe, The Camelot Orchestra, Franz Allers, Original Broadway Cast of Camelot | 3:12 | |
| Il Postino (the Postman) | Luis Bacalov, Juanjo Mosalini, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | 3:41 | |
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | 4:01 | |
| The Medals | Lennie Niehaus | 3:00 | |
| The Godfather Intermezzo | Carmine Coppola | 3:20 | |
| Venice and St. Mark's Square/The Venitian Regatta | Lowell Thomas, Max Steiner | 5:00 | |
| Suds on the Roof | Thomas Newman | 1:36 | |
| James Bond Theme (From Dr. No) | John Barry Orchestra | 1:50 | |
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic | 3:05 | |
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | 2:58 | |
| The Shower - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | 3:41 | |
| Londonderry Air | Percy Grainger, Frederick Fennell, Eastman-Rochester Pops Orchestra | 3:36 | |
| Piano Parchment - 60 Second Edit (A) | Johnny Pearson | 1:04 | |
| The Bridge On The River Kwai - The Colonel Bogey March | Malcolm Arnold | 3:02 | |
| Check Out | Original Soundtrack | 1:34 | |
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| Steiner's Theme | Ernest Gold | 2:42 | |
| The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | 2:00 | |
| Battle of Britain Suite: I. Spitfire Music - Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:00 | |
| West Wing Suite (Bonus Track) | Pete Anthony | 3:33 | |
| Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | 3:55 | |
| A Heart Full of Love / The Waltz of Treachery / On My Own | Bournemouth Symphony Orchestra, Seann Alderking | 4:15 | |
| Esther | Miklós Rózsa | 2:35 | |
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | 2:50 | |
| Theme From "Miss Marple" | The Television Tune Orchestra | 2:27 | |
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | 5:30 | |
| Forgotten Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | 3:31 | |
| Craven's Return | Zbigniew Preisner | 2:17 | |
| Exodus - Theme | Ernest Gold | 2:52 | |
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | 1:53 | |
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | 3:17 | |
| The Peter Pan Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | 1:17 | |
| Father Brown - From "Father Brown" | The Orchestra of the Guildhall School, Debbie Wiseman | 4:12 | |
| Theme (From "The Magnificent Seven") - From "The Magnificent Seven" | Elmer Bernstein | 4:35 | |
| Professor Alexander Hartdegen | Klaus Badelt | 3:26 | |
| Orry's Odyssey | Bill Conti | 3:02 | |
| They're Amateurs | Clint Eastwood | 1:16 | |
| Round Up | Nigel Westlake | 2:00 | |
| Chekov's Run | Leonard Rosenman | 1:19 | |
| Prelude to the Big Fight | Victor Young | 2:52 | |
| The Play And The Flight - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | 1:21 | |
| One Hundred and One Dalmatians (Main Titles) / Good Morning, Pongo / Walking The Dog | Michael Kamen | 3:56 | |
| Impressions De France - From "Impressions De France" | Camille Saint-Saëns, Claude Debussy, François-Adrien Boieldieu, Maurice Ravel, Jacques Offenbach, Paul Dukas, Erik Satie, Buddy Baker | 9:51 | |
| The Princess Diaries Medley - Score | John Debney | 3:23 | |
