| Ritorno in citta' | Nicola Piovani | 1:20 | |
| L'abito Da Sposa | Andrea Guerra | 1:36 | |
| L'Inverno (Winter) Op. 8 No. 4 in F minor: II. Largo | Antonio Vivaldi, Luka Sulic, Luigi Piovano, Archi dell'Accademia di Santa Cecilia | 1:54 | |
| The Return | Mark Orton | 1:50 | |
| Pépinot | Bruno Coulais | 1:50 | |
| Gli anni della colombaia | Nicola Piovani | 5:59 | |
| Memorie del passato | Andrea Guerra | 1:46 | |
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | 2:30 | |
| Bambini al telefono | Nicola Piovani | 2:28 | |
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | 4:27 | |
| End Credits - Instrumental | Rachel Portman, John Lenehan, David Snell | 4:35 | |
| A Game of Croquet | Jóhann Jóhannsson | 2:45 | |
| Hotel Jazz | Martin Phipps | 1:10 | |
| Adagio Variation (From Adagio in G Minor, Arr. for Violin and Piano by Svetoslav Karparov) | Tomaso Albinoni, Remo Giazotto, Gabriele Bagnati, Esther Abrami | 3:12 | |
| Une amitié | Philippe Rombi | 1:30 | |
| Buongiorno Principessa (From "La vita è bella") | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | 3:23 | |
| Me Voy a Morir de Tanto Amor | Alberto Iglesias | 2:39 | |
| Wedding In Agustinerkirche | Pino Donaggio | 1:38 | |
| Main Titles | Alex Heffes | 2:02 | |
| Elizabethan Masque | Fredrico Bayco, Pro Arte Orchestra, George Weldon | 2:27 | |
| The Verdict | George Fenton | 1:20 | |
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| Venge-moi (Cavalleria rusticana - Intermezzo) | Philippe Sarde | 4:06 | |
| Samson et Dalila, Op. 47: Mon coeur s'ouvre à ta voix (Arr. for Cello and Piano) | Camille Saint-Saëns, Christian-Pierre La Marca, Lise de la Salle | 3:10 | |
| A ciascuno il suo | Luis Bacalov | 2:39 | |
| Octopussy (Arr. C. Egan) | Philharmonia Orchestra, Carl Davis | 3:52 | |
| The Ghost Pavane | Christopher Young | 2:31 | |
| María Santísima de Araceli | Alberto Iglesias | 2:12 | |
| The Shore | Arash Safaian, Bernhard Wünsch, The Berlin Orchestra | 3:41 | |
| Big Plans | Panu Aaltio | 1:57 | |
| Hollow in the Ferns | Craig Armstrong | 3:38 | |
| Alta società | Andrea Guerra | 2:22 | |
| Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | 2:47 | |
| Truth, And Then There Were Teardrops | Amy Dickson | 3:40 | |
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | 2:47 | |
| Wallfisch: Gilbert's Theme | Yuja Wang, Benjamin Wallfisch | 1:26 | |
| Pick Up Money | Clint Eastwood | 0:57 | |
| Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | 5:30 | |
| Intermezzo | Jeff Steinberg | 3:55 | |
| Beatrice | Luis Bacalov | 4:07 | |
| The Park On Piano - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | 5:23 | |
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | 3:50 | |
| Empty Store | George Fenton | 2:51 | |
| Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | 3:52 | |
| I Sogni del Postino | Luis Bacalov | 3:21 | |
| Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | 3:05 | |
| L'étudiante et Monsieur Henri: générique fin | Laurent Aknin | 2:25 | |
| La Vita e Bella - Arr. Bacalov: La Vita e Bella - Theme (Arr. Bacalov) | Nicola Piovani, Elysium, Andrea Griminelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Luis Bacalov | 2:56 | |
| A Variation On Scotty Tails Madeline | Shigeru Umebayashi | 1:52 | |
| Variations sur "Jeux interdits" | Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito | 4:17 | |
