| Anna's Theme | John Corigliano, Esa-Pekka Salonen | 2:50 | |
| Hungry Hearts | Nicola Piovani | 3:58 | |
| Phantom Thread I | Jonny Greenwood | 3:35 | |
| Fur Alina | Arvo Pärt, Alexei Lubimov | 2:10 | |
| Distraught | Philip Glass | 3:00 | |
| Koji's Aria | Ryuichi Sakamoto | 2:05 | |
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | 4:45 | |
| Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | 4:04 | |
| Light (From "The Thin Red Line") | Hans Zimmer, Maxim Vengerov, Gavin Greenaway | 7:04 | |
| The Crossroads | Anne Dudley, Chris Garrick, The Chamber Orchestra Of London | 2:05 | |
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | 3:46 | |
| Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | 6:25 | |
| Le secret | Philippe Rombi | 1:52 | |
| Flashback | Burkhard Dallwitz | 1:20 | |
| Never Had the Child | Angelo Badalamenti | 2:24 | |
| Camilla's Theme (Roque Baños Plays) | Roque Baños | 1:59 | |
| Eli's Theme | Johan Söderqvist | 2:40 | |
| Newman: Any Other Name (From "American Beauty") | Thomas Newman, Nikolaj Bloch | 4:08 | |
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | 1:52 | |
| Definition | Philip Glass, Philip Glass Ensemble, Yo-Yo Ma, Michael Riesman | 2:50 | |
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Daniel Hope, Maxim Shostakovich, BBC Symphony Orchestra | 6:00 | |
| Több megtekintése Songs Like X Pro-val |
| Cantus in memoriam Benjamin Britten: Cantus in memory of Benjamin Britten | Arvo Pärt, Bergen Philharmonic Orchestra, Neeme Järvi | 6:55 | |
| The Things Left Unsaid | Caleb Burhans, Tarab Cello Ensemble | 8:30 | |
| String Quartet No. 4 (Buzcak): I. | Philip Glass, Kronos Quartet | 8:00 | |
| Our Soldiers' Letters | Angelo Badalamenti | 2:43 | |
| Together We Will Live Forever | Clint Mansell | 5:01 | |
| To the Ball | Original Soundtrack | 3:17 | |
| ¿puedo Hablar Contigo? | Alberto Iglesias | 2:28 | |
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | 2:38 | |
| V. Montréal, The Theft | John Corigliano, Esa-Pekka Salonen | 2:10 | |
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | 3:08 | |
| A Sepulchre | George Fenton | 2:56 | |
| The Fountain - The Last Man | The London Ensemble | 6:50 | |
| Arboretum | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | 2:53 | |
| Closing Credits | James Horner | 4:28 | |
| A Dangerous Path | The Chamber Orchestra Of London | 3:12 | |
| Violin Romance | Patrick Doyle | 5:04 | |
| Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | 3:07 | |
| Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Jean-Yves Thibaudet | 4:46 | |
| Looking For The Next Great Idea | James Horner | 3:02 | |
| Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | 6:41 | |
| The Harts | Philip Glass | 2:16 | |
| Tessa's Death | Alberto Iglesias | 2:15 | |
| Faces Without Names | John Powell | 3:31 | |
| An Ideal Marriage | The Chamber Orchestra Of London | 2:43 | |
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | 3:48 | |
| Drowning | Abel Korzeniowski | 1:48 | |
| Autumn 1 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | 5:41 | |
| Cello Theme | Craig Armstrong | 1:36 | |
