| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | 4:21 | |
| Années de pèlerinage, 1ère année "Suisse", S. 160: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) | Franz Liszt, Jenő Jandó | 2:41 | |
| Metamorphosis II | Philip Glass, Lisa Moore | 7:19 | |
| String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | 5:36 | |
| Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | 2:08 | |
| En rêve, S. 207 | Franz Liszt, Paul Lewis | 2:34 | |
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | 3:01 | |
| Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | 3:05 | |
| Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:19 | |
| Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | 2:24 | |
| 3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | 3:21 | |
| Ravel: Gaspard de la nuit, M. 55: II. Le Gibet | Maurice Ravel, Pierre-Laurent Aimard | 7:10 | |
| Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | 2:17 | |
| Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | 4:24 | |
| Oblivion (Arr. String Quartet) | Astor Piazzolla, Carducci String Quartet | 3:32 | |
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | 5:30 | |
| Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | 3:13 | |
| Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | 3:44 | |
| Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | 5:03 | |
| Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | 5:42 | |
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | 6:15 | |
Több megtekintése Songs Like X Pro-val |
| Definition | Philip Glass, Philip Glass Ensemble, Yo-Yo Ma, Michael Riesman | 2:50 | |
| From the Bohemian Forest, Op. 68: V. Silent Woods | Antonín Dvořák, Shani Diluka, Geneviève Laurenceau, Les Chanteurs d'Oiseaux | 6:57 | |
| Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | 4:21 | |
| Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Mikhail Pletnev | 7:14 | |
| 25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement | Charles-Valentin Alkan, Laurent Martin | 4:42 | |
| Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | 3:54 | |
| Chaconne in sol maggiore : Variazione 10 | Lazar Berman | 1:01 | |
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | 4:24 | |
| Orphée Suite: VI. Orphée's Return | Philip Glass, Nicolas Horvath | 6:58 | |
| Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | 6:15 | |
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | 2:05 | |
| Turkish March, Op.113 No.4 | Ludwig van Beethoven, Valentina Lisitsa | 2:05 | |
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | 1:50 | |
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": II. Allegretto | Ludwig van Beethoven, Daniel Barenboim | 2:12 | |
| The Screens: Prison Song | Philip Glass, Foday Musa Suso, Martin Goldray, Benjamin Hudson, Michael Parloff, Allen Blustine, Rex Benincasa, Jerry Grossman | 1:16 | |
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