Violetta | Sabrina Salvestrin, Athos Bassissi | 4:39 | ||
Happy Music | World Sound Orchestra | 2:58 | ||
When the Day Starts | Jelle van Marrum | 3:56 | ||
Monia | Guy Denys | 3:04 | ||
Sleepwalk | Hans Hollestelle | 2:52 | ||
Auf dem Mond da blühen keine Rosen , Der Wein von Samos , Pan | Das Orchester Claudius Alzner | 4:10 | ||
Words | Hector Delfosse | 3:29 | ||
White Rose Of Athens (From Wolfgang Mueller-Sehn Film Traumland Der Sehnsucht | Manuel & The Music Of The Mountains | 2:23 | ||
Mexico | The Jumping Jewels | 2:40 | ||
Eviva Espana / Valencia / Funiculi, Funicula | Ladi Geisler & Friends | 5:06 | ||
Spittal drau | Oskar De Tomas Pinter | 2:09 | ||
Quartet No.17 - Serenade | Ricci Ferra | 2:56 | ||
Weiße Rosen blühen in Athen | Captain Freddy | 3:49 | ||
Disco: 34 Takte Pro Minute - Born To Be Alive; I Love Paris; Jerico | Kurt Edelhagen | 4:43 | ||
La Pastorella | Kevin Pabst | 4:09 | ||
Mexico | Bernie Saxophone Entertainer | 2:32 | ||
Never ending song of love - You are my sunshine - Schönes Mädchen aus Arcadia | Claudius Alzner, Seine Solisten | 2:27 | ||
Mädchen Von Tahiti | Admiral Hook & His Magic Sax | 2:39 | ||
Good Friend | Gary Freeman | 2:49 | ||
Santa Lucia | Das Orchester Claudius Alzner | 2:31 | ||
Lied der Berge | Jelle van Marrum | 5:16 | ||
Több megtekintése Songs Like X Pro-val | ||||
Käpt'n Karl's große Fahrt - Seemanns Medley - a) Eine Seefahrt die ist lustig/b) Nimm uns mit Kapitän auf die Reise/c) What shall we do/d) Heut geht es an Bord | Christa Behnke | 3:08 | ||
La Paloma | Frans Baggerman | 4:00 | ||
Bummel-Petrus | Orchestra Grand Cafe | 2:53 | ||
Hava Nagilah | Bouzouki-Ensemble Bilek-Nejez, Das Orchester Claudius Alzner | 2:31 | ||
Il Silencio | Gary Freeman | 2:54 | ||
Funiculi - funicula | Das Orchester Claudius Alzner | 2:24 | ||
Dream, Red Roses For A Blue Lady, Till I Waltz Again With You | Stef Meeder | 4:20 | ||
Blumenwiese Im Morgentau | Johannes Koehler | 4:42 | ||
Der Mond Ist Aufgegangen | Die Kirmesmusikanten | 1:51 | ||
O Sole Mio | Tango Orchester Alfred Hause | 2:55 | ||