| Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | 1:26 | |
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | 4:40 | |
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | 5:07 | |
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | 9:54 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | 3:58 | |
| Cello Sonata No. 2 in F Major, Op. 123: III. Romanza: Poco adagio | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | 7:15 | |
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | 5:57 | |
| Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | 4:21 | |
| The Lamb | John Tavener, 12 Ensemble | 3:56 | |
| Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | 13:34 | |
| Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | 5:36 | |
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | 3:46 | |
| Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | 7:54 | |
| Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | 4:22 | |
| Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | 3:54 | |
| Danses suédoises, Op. 63: XII. Langsam, nicht schleppend | Max Bruch, Dana Ciocarlie, Christiane Baume-Sanglard | 1:56 | |
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | 6:34 | |
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | 8:37 | |
| Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | 5:27 | |
| Több megtekintése Songs Like X Pro-val |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | 3:09 | |
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | 9:33 | |
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | 6:23 | |
| Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | 3:56 | |
| Goldberg Variations: Goldberg Variations: Aria | Johann Sebastian Bach, Britten Sinfonia, Thomas Gould | 3:33 | |
| Serenade in A Minor, Op. 75: I. Andante con moto | Max Bruch, Antje Weithaas, NDR Radiophilharmonie, Hermann Bäumer | 9:22 | |
| Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | 5:07 | |
| Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | 5:20 | |
| Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | 1:59 | |
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | 1:52 | |
| Omaramor For Solo Cello | Osvaldo Golijov, Alisa Weilerstein | 8:14 | |
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | 2:39 | |
| Pavane, Op. 50 | Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet | 5:15 | |
| Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | 1:30 | |
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | 4:30 | |
| Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | 2:27 | |
| Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | 2:59 | |
| Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | 5:42 | |
| The Moon on the Ruined Castle (Arr. Cello & Piano) | Rentaro Taki, Lynn Harrell, Bruno Canino | 1:13 | |
| Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | 1:37 | |
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | 1:49 | |
| 24 Préludes, Op. 28 - Arr. Franchomme: No. 7 - Andante | Frédéric Chopin, Alisa Weilerstein, Inon Barnatan | 1:03 | |
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | 2:43 | |
| Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | 3:56 | |
| Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | 6:58 | |
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | 4:11 | |
| String Quartet No. 2 in D Major: IV. Finale: Andante - vivace | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Roger Pyne, Howard Griffiths, Curdin Coray | 7:13 | |
