| A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | 3:18 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | 8:00 | |
| 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | 2:04 | |
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | 7:18 | |
| The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | 3:10 | |
| Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | 2:43 | |
| Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | 3:34 | |
| Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | 5:39 | |
| Hymn-Tune Prelude on Song 13 by Orlando Gibbons | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | 3:21 | |
| The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | 3:27 | |
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | 2:46 | |
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | 2:35 | |
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | 2:49 | |
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 4:12 | |
| Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | 4:17 | |
| The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | 2:46 | |
| St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | 3:55 | |
| Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | 1:17 | |
| Charterhouse Suite: Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | 3:41 | |
| Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | 3:13 | |
Több megtekintése Songs Like X Pro-val |
| String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | 6:25 | |
| Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | 4:53 | |
| Suite from The Victorian Kitchen Garden: IV. Exotica | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | 1:05 | |
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | 8:32 | |
| Negro Folksongs in Counterpoint: No. 5, Swing Low, Sweet Chariot. Andantino | Florence Beatrice Price, Apollo Chamber Players | 5:01 | |
| Soirees musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | 1:58 | |
| Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | 2:44 | |
| Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | 4:19 | |
| Rodeo: No. 4, Saturday Night Waltz | Aaron Copland, Colorado Symphony, Andrew Litton | 5:15 | |
| For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | 1:10 | |