| Stalker | Exwhite | 1:47 | ||
| Two AM | Nervous Jerk | 2:05 | ||
| I Won't You Won't | The City Dogs | 2:13 | ||
| Deleted | The Unknowns | 3:01 | ||
| Can't Stand To See Your Face | Nonchalant | 2:25 | ||
| Pub Love | Dennis Cometti | 1:44 | ||
| No Solutions | Satanic Togas | 1:30 | ||
| Someone New | Sex Mex | 2:18 | ||
| Pussy Pant | Perry Malachi | 1:55 | ||
| (Tuff) Mama | Nancy | 1:10 | ||
| Trapped in the Amber | Hex Dispensers | 2:13 | ||
| She Don't Get It | Zorton and the Cannibals | 2:57 | ||
| D.W.G.W.Y. | POWER PANTS | 1:38 | ||
| Bus Stop | Tee Vee Repairmann | 2:20 | ||
| Poke You In The Eye | PLEASANTS | 1:52 | ||
| Running Out of Time | Los Tones | 3:27 | ||
| Time Thief | Morality Trope | 3:18 | ||
| Full of dogs | Autobahns | 3:19 | ||
| Pili | Carmonas | 1:23 | ||
| Ephemeral Blob | Sensual World | 3:48 | ||
| Krayon | Meltz, Raka Soetrisno | 1:56 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Oh the Flatlands | Oh Boland | 3:34 | ||
| Ojos Flojos | Chicano Mosh | 2:37 | ||
| May Flowers | The Sueves | 1:12 | ||
| Primordial | Aborted Tortoise | 2:26 | ||
| Machines Get Cleaned | Bev Rage and the Drinks | 2:58 | ||
| Werewolf She Cries | Zorton and the Cannibals | 2:43 | ||
| Hey Watch Out! | The Black Feet Revolution | 2:44 | ||
| United State | Rifle | 2:21 | ||
| Boxed Wine | Sands | 4:00 | ||
| masks | CENTRAL | 3:05 | ||
| Knife At Your Throat | Moron's Morons | 2:50 | ||
| Forever | Snacks | 2:36 | ||
| Cold, Not Cute | Sex Mex | 2:34 | ||
| Mayflower | Ambrose Turi | 3:28 | ||
| laclion | The Lipschitz | 1:48 | ||
| Seguir | Ruido Salvaje | 2:36 | ||
| Tramps | George Guest | 3:38 | ||
| Fast Food | DÄÄCHT | 0:58 | ||
| NO FÜN | Sands | 4:07 | ||
| Baby Baby Baby | Barreracudas | 3:06 | ||
| No Connection | POWER PANTS | 1:45 | ||
| Scoop & Weigh | Billiam | 1:09 | ||
| Runaway | Sex Mex | 1:19 | ||
| On The Loose | The Circulators | 1:09 | ||
| Online | 1-800-Mikey | 2:08 | ||
| Why so Angry | Cornelius David | 3:42 | ||
| Seucret Message | Dominic Bernal | 2:36 | ||
| Rabbit | Werner Frank | 3:15 | ||
