| The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | 4:31 | |
| Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | 1:57 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | 3:18 | |
| Cello Sonata in F-Sharp Minor, Op. 52: III. Intermezzo. Andantino | Giuseppe Martucci, Raphaela Gromes | 3:29 | |
| Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | 1:12 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 8:09 | |
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | 3:18 | |
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | 3:31 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Thais (arr. L. Gallet for violin and piano): Thais, Act II: Meditation (arr. L. Gallet for violin and piano) | Louis Gallet, Jules Massenet, Duo Intermezzo | 4:30 | |
| String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | 6:25 | |
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | 2:47 | |
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | 2:02 | |
| Massenet: Élégie (Arr. for Cello and Piano) | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | 1:44 | |
| La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | 1:54 | |
| Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | 1:38 | |
| Les Érinnyes: Invocation | Jules Massenet, Munich Radio Orchestra, Herve Niquet, Alexandre Vay | 2:06 | |
| Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | 1:27 | |
| 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | 3:11 | |
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Marko Ylönen, Arto Satukangas | 3:22 | |
Több megtekintése Songs Like X Pro-val |
| Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | 5:08 | |
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | 8:37 | |
| Lyric Pieces, Livre 5, Op. 54: IV. Notturno (Andante) | Edvard Grieg, Javier Perianes | 4:17 | |
| Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | 2:54 | |
| From the Bohemian Forest, Op. 68, B. 133: V. Klid (Silent Woods) | Antonín Dvořák, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | 6:02 | |
| L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 4:27 | |
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | 1:49 | |
| L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 3:11 | |
| Meeres Stille, Op. 3 No. 2, D. 216 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | 2:01 | |
| Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | 3:56 | |
| Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | 1:36 | |
| Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Martha Argerich, Mischa Maisky | 3:13 | |
| Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | 3:56 | |
| Woman´s Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | 1:58 | |
| Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | 5:14 | |
| Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | 7:04 | |
| On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | 3:19 | |
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | 10:49 | |
| Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | 3:41 | |
| Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | 6:39 | |
| String Quartet No. 2 in D Major: IV. Finale: Andante - vivace | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Roger Pyne, Howard Griffiths, Curdin Coray | 7:13 | |
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | 1:50 | |
| Nocturne No. 14 In F Sharp Minor, Op. 48 No. 2 | Frédéric Chopin, Maurizio Pollini | 6:36 | |
| Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | 1:20 | |
| Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | 3:25 | |
| Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: VI. Allegretto grazioso (No. 30) | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | 2:27 | |
| Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | 4:14 | |
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | 3:12 | |