| Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | 8:56 | |
| Parsifal Wagner - Good Friday Spell | Gerard Schwarz | 11:12 | |
| Stravinsky: Symphony in C: I. Moderato alla breve | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | 10:16 | |
| Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | 8:06 | |
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | 2:56 | |
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | 1:49 | |
| Donizetti: La fille du régiment, Act I: "Ah! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio, Chorus) | Gaetano Donizetti, Michael Spyres, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre Philharmonique De Strasbourg | 4:22 | |
| Symphony in C Major: IV. Allegro Vivace | Georges Bizet, New Zealand Symphony Orchestra, Donald Johanos | 8:43 | |
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 6:26 | |
| Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | 5:22 | |
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | 3:15 | |
| Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 10:42 | |
| Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | 7:26 | |
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 8:05 | |
| El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | 3:34 | |
| Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | 2:46 | |
| Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | 10:08 | |
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | 4:35 | |
| Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | 10:16 | |
| Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln | 4:11 | |
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | 10:23 | |
| Több megtekintése Songs Like X Pro-val |
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | 1:51 | |
| Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | 1:59 | |
| Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | 1:15 | |
| Messa da Requiem: II Lacrymosa | Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | 5:45 | |
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | 3:45 | |
| Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 4:36 | |
| Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | 5:57 | |
| Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | 4:18 | |
| Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | 7:40 | |
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | 7:44 | |
| Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | 4:09 | |
| Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | 10:02 | |
| "Sophia Perovskaya", Op. 132 - music from the film: Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | 2:35 | |
| Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | 10:00 | |
| Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | 1:58 | |
| La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | 7:40 | |
| The Sorcerer's Apprentice | Philharmonia Orchestra | 9:37 | |
| Das Rheingold, WWV 86A / Scene 1: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | 4:24 | |
| Nocturnes, L. 91: II. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | 6:15 | |
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | 4:47 | |
| Symphonie fantastique, Op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | 9:53 | |
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | 6:57 | |
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | 1:35 | |
| Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | 6:25 | |
| Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | 3:16 | |
| Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Langsam - Glockengeläute | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | 9:05 | |
| Pelléas et Mélisande, L. 88 / Act III: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | 5:59 | |
| Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | 6:05 | |
