| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | 5:27 | |
| Spirit Garden | Gavin Luke | 3:45 | |
| Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | 2:37 | |
| Camping | Jóhann Jóhannsson | 1:18 | |
| Veloma | Fabrizio Paterlini | 2:47 | |
| Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | 4:01 | |
| The Heart Asks Pleasure First / The Promise | Michael Nyman Band | 4:51 | |
| Dew Drops | Pieter de Graaf | 5:34 | |
| Passend | Wim Mertens | 4:17 | |
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | 9:43 | |
| Vita nuova | Roberto Cacciapaglia | 3:30 | |
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto (Excerpt) | Ludwig van Beethoven | 3:58 | |
| Seconda navigazione | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | 3:51 | |
| Jeux Interdits | Traditional, Rahel Senn | 2:37 | |
| Adagio | Alessandro Marcello, Martin Stadtfeld | 2:49 | |
| Dear Hasan - I'll Always Remember | Iris Hond | 4:56 | |
| The English Patient: Main Title Theme | Gabriel Yared, Royal Liverpool Philharmonic Orchestra, Carl Davis | 5:42 | |
| Close Cover | Wim Mertens | 3:30 | |
| Delicate Transitions | Gavin Luke | 2:28 | |
| Atlantique Nord | Yann Tiersen | 2:38 | |
| Forces of Attraction | Jóhann Jóhannsson | 2:03 | |
| Több megtekintése Songs Like X Pro-val |
| Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:19 | |
| La longue route | Yann Tiersen | 2:14 | |
| 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | 1:34 | |
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | 1:59 | |
| By Night | Sophie Hutchings | 5:29 | |
| Cavatina | Stanley Myers, Göran Söllscher | 3:38 | |
| Autumn Moon on a Calm Lake | Lü Wencheng, Lang Lang | 4:08 | |
| 13 Préludes op.32: No. 5 in G major - Live At The Royal Albert Hall/2012 | Sergei Rachmaninoff, Valentina Lisitsa | 3:27 | |
| Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | 2:59 | |
| Her Gentle Spirit [The Merchant of Venice] | David Juritz | 2:53 | |
| Etude | Joep Beving | 4:35 | |
| Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | 2:23 | |
| Valsa | Rui Massena | 4:05 | |
| Ellens Gesang III (Ave Maria), S558 no.12 (after Schubert’s D839) | Franz Liszt, Franz Schubert, Valentina Lisitsa | 5:31 | |
| In Metaphor, Solace | Luke Howard | 2:33 | |
| Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | 3:41 | |
| Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | 6:25 | |
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | 5:26 | |
| Autumn Music 2 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | 3:49 | |
| The Sacrifice | Michael Nyman | 2:50 | |
| Fracture | Stephan Moccio | 3:27 | |
| The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds | Michael Nyman, Valentina Lisitsa | 3:17 | |
| Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Víkingur Ólafsson | 3:36 | |
| 1.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | 2:01 | |
| Revolving Door | Abel Korzeniowski | 4:19 | |
| La Valse D'Amélie - From "Amelie From Montmartre" | Music Lab Collective, Valentina Lisitsa | 2:29 | |
| irreplaceable | Chad Lawson, Royal Philharmonic Orchestra, James Southall | 4:31 | |
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | 5:23 | |
