| Castaway | Evocativ | 4:12 | ||
| Euphoric Magic | Mokhov | 3:32 | ||
| Scene 2 | Gui Boratto | 2:52 | ||
| Appeal | Unworldly | 3:08 | ||
| Magnolia Requiem | The Flashbulb | 2:00 | ||
| Becoming Ocean | Felix Rösch | 3:04 | ||
| Space Jazz | All India Radio | 2:29 | ||
| All In Here | Emancipator | 5:20 | ||
| Beloved Exile | Steve Moore | 5:25 | ||
| Strip Mall Church | Televangel | 5:15 | ||
| Longtime | Yppah | 3:27 | ||
| Hospital Ride | The Flashbulb | 2:50 | ||
| Our Keepsake | Donevan Adams | 2:47 | ||
| Pulse At The Centre Of Being | Max Cooper | 4:13 | ||
| Thirteen | Matt Lange | 2:36 | ||
| Bipolar | Synthetic Epiphany | 4:07 | ||
| Ninth Wave | Trifonic | 7:02 | ||
| Dissolving Time | H.U.V.A. Network | 6:48 | ||
| Gendèr | Makoto San | 3:58 | ||
| Still Mine | Jellis, Subsets | 4:48 | ||
| Clara | Kettel | 2:56 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Low Pressure Zone | Clubroot | 3:34 | ||
| Moving Backward | ambinate | 3:58 | ||
| Oh Baby | Ficci | 4:28 | ||
| Future Hope | Mokhov | 3:35 | ||
| Sloh | il:lo | 6:14 | ||
| Four - Kettel Remix | Near The Parenthesis | 4:02 | ||
| I AM A DAGGER | Lorn | 1:42 | ||
| Watch Out for Puddles | Nathan Bianchi | 1:20 | ||
| Peaceful Night - Original Mix | 4lienetic | 3:34 | ||
| Unfamiliar | Aparde | 4:22 | ||
| Travelogue | The Flashbulb | 2:52 | ||
| East London Street - Edit | Hidden Orchestra | 3:58 | ||
| The Ocean Palace - Part I | ONE ARC DEGREE | 5:29 | ||
| The Heart of a Molecule | Eguana | 6:34 | ||
| Dream in Kaiser Gardens - Radio Version | Koan | 3:51 | ||
| To Intervene | Kamandi | 2:14 | ||
| Vestige I | Lorn | 2:01 | ||
| Thought 5 | Thrupence | 2:34 | ||
| Clarity | Kettel | 2:34 | ||
| Cloud Shadows | The Flashbulb | 2:16 | ||
| Jellyfish | Joey Fehrenbach | 5:18 | ||
| Swamp Gas Pt.2 - Rework | Planet Boelex | 5:07 | ||
| Deathless Audio | Frenic | 5:04 | ||
| Inadvertent | Sync24 | 7:00 | ||
| Floodgate | Ryan Teague | 3:48 | ||
| Gate 5A | Kodomo | 3:48 | ||
| Lotusoul | Zero Cult | 7:00 | ||
| No Human Will Come Back | Thomas Barrandon | 4:22 | ||
